The Satellite Awards were handed out on December 19th. Last year Matthew Morrison, Lea Michele, Jane Lynch, and Glee all won in their categories. Chris Colfer was also nominated last year but did not win. This year the same people were all nominated again, as well as the show, but unfortunately all were shut out. Matthew lost to Alec Baldwin from "30 Rock," Lea lost to Laura Linney from "The Big C," Jane lost to Brenda Vaccaro from "You Don't Know Jack," and Chris lost to David Strathairn from "Temple Grandin." Best Comedy went to "The Big C."
I don't know if the Satellite Awards could have any influence on the Golden Globes. All of the winners in these categories are also nominated for Golden Globes except for Brenda Vaccaro. I figured that Alec Baldwin and David Strathairn would be big competition for Matthew and Chris respectively. Lea's category is so tough. I think either Modern Family or 30 Rock will take Best Comedy, but it could be The Big C. I still think Jane has the best shot for a Golden Globe at this point, but since she was nearly a given this year and didn't win...who knows.
gleekette
Wednesday, December 29, 2010
"You Know You're a Gleek When..."
A new and recurring segment of this blog will be "You Know You're a Gleek When," or YKYAGW for short. This is when a Glee fan says or does something that alerts them to the fact that they are not just a casual viewer of the show...they have become a GLEEK. Here are my first three YKYAGW "aha!" moments...
1) Today my co-worker caught me chair-dancing in my cubicle, mouthing Artie's rap in "Billionaire" as I listened to my IPOD. She is a geek, but I don't think she's a gleek. She didn't say anything, just asked her question and left. Bless her.
2) When I refer to the people on Glee, I use both character names and real names, and I use them interchangably. I rarely know actors names on other shows, and even when I do know them, I often don't remember them. Since I'm usually talking, reading, or writing about Glee, I tend to remember the names.
3) I received several Glee guides for Hanukkah this year. I'm not only reading them...I'm taking notes on them.
Yep...I'm a gleek!! :)
gleekette
1) Today my co-worker caught me chair-dancing in my cubicle, mouthing Artie's rap in "Billionaire" as I listened to my IPOD. She is a geek, but I don't think she's a gleek. She didn't say anything, just asked her question and left. Bless her.
2) When I refer to the people on Glee, I use both character names and real names, and I use them interchangably. I rarely know actors names on other shows, and even when I do know them, I often don't remember them. Since I'm usually talking, reading, or writing about Glee, I tend to remember the names.
3) I received several Glee guides for Hanukkah this year. I'm not only reading them...I'm taking notes on them.
Yep...I'm a gleek!! :)
gleekette
Thursday, December 16, 2010
SAG Awards: The Nominees React
More exciting news for Glee! The show was nominated for a Screen Actors Guild award for best comedy ensemble. And Chris Colfer and Jane Lynch were nominated for best actor and best actress in a comedy! The show won the SAG for this year, but this is the first nomination each for Chris and Jane.
http://www.hollywoodreporter.com/news/sag-awards-nominees-react-60849
Here are what the nominees are saying about their SAG Award nominations, which were announced Thursday morning:
Chris Colfer wasn't able to contain his excitement Thursday morning. The Glee star, who also received his first Globe nomination earlier this week, joyfully noted that he was on Cloud 9, though wasn't afraid to address the hardships he went thorugh as a teenager in high school. "It's fantastic!," he said about his first-ever SAG nomination as a supporting actor. "It's crazy because where I come from, peers is not necessarily a good word. People are mean to you and they throw things at you and they make fun of you in the hallway, so it's amazing." And to celebrate, Colfer said the Glee folks, who were also nominated for an ensemble award along with a supporting nom for Jane Lynch, won't be sparing any expense: "I think we're going to have a little pizza party [later today]." Colfer wouldn't spill any details on his character Kurt's relationship with Darren Criss' Blaine, only to say that "there have been some slight development there." But Colfer did discuss the anticipated Super Bowl episode, and hinted that viewers may be shocked. "Just the first paragraph alone in that script made me question how it was legal and how it was possible to do what they wrote," he shared. "Like, I'm telling you, there's some sentences in that script that are like, 'How is that possible?! How can they legally do this?!" -- Philiana Ng
[snip]
The accolades just keep coming for Chris, for Jane, and for the show. I couldn't be happier. I think they all have an uphill battle in their respective categories; they are up against seasoned veterans, past winners, and some sentimental favorites. For example, Steve Carrell is nominated for a Golden Globe against Matthew and a SAG against Chris, and he may win because he's leaving "The Office." Jane is pitted against Betty White for a SAG, and we all know how much everyone loves Betty White.
I'll be sad if the show and the actors don't win, but for now I'm just enjoying the excitement and the honor that these nominations bring to the talented and hard-working cast and crew.
Just had to add this snipet from etonline:
"Glee" star Chris Colfer is up for Outstanding Performance by a Male Actor in a Comedy Series, and told ET of the nom, "Sometimes I take out my SAG card and just stare at it for large amounts of time. I'm completely shocked and honored! So happy for Jane [Lynch] and that our amazing cast was recognized too!"
His comment reminds me of a young singer who experienced sudden fame. He said he went from looking for loose change in his couch cushions to visiting ATM's so he could giggle at his growing account balances. :)
I just cannot imagine how much Chris' head is spinning these days. I love how he drew the comparison between his peer relationships in high school and the recognition he is now receiving from the entertainment industry. I wish it could be praise and nominations for him all the time, but unfortunately there are plenty of bullies in the business too.
gleekette
http://www.hollywoodreporter.com/news/sag-awards-nominees-react-60849
Here are what the nominees are saying about their SAG Award nominations, which were announced Thursday morning:
Chris Colfer wasn't able to contain his excitement Thursday morning. The Glee star, who also received his first Globe nomination earlier this week, joyfully noted that he was on Cloud 9, though wasn't afraid to address the hardships he went thorugh as a teenager in high school. "It's fantastic!," he said about his first-ever SAG nomination as a supporting actor. "It's crazy because where I come from, peers is not necessarily a good word. People are mean to you and they throw things at you and they make fun of you in the hallway, so it's amazing." And to celebrate, Colfer said the Glee folks, who were also nominated for an ensemble award along with a supporting nom for Jane Lynch, won't be sparing any expense: "I think we're going to have a little pizza party [later today]." Colfer wouldn't spill any details on his character Kurt's relationship with Darren Criss' Blaine, only to say that "there have been some slight development there." But Colfer did discuss the anticipated Super Bowl episode, and hinted that viewers may be shocked. "Just the first paragraph alone in that script made me question how it was legal and how it was possible to do what they wrote," he shared. "Like, I'm telling you, there's some sentences in that script that are like, 'How is that possible?! How can they legally do this?!" -- Philiana Ng
[snip]
The accolades just keep coming for Chris, for Jane, and for the show. I couldn't be happier. I think they all have an uphill battle in their respective categories; they are up against seasoned veterans, past winners, and some sentimental favorites. For example, Steve Carrell is nominated for a Golden Globe against Matthew and a SAG against Chris, and he may win because he's leaving "The Office." Jane is pitted against Betty White for a SAG, and we all know how much everyone loves Betty White.
I'll be sad if the show and the actors don't win, but for now I'm just enjoying the excitement and the honor that these nominations bring to the talented and hard-working cast and crew.
Just had to add this snipet from etonline:
"Glee" star Chris Colfer is up for Outstanding Performance by a Male Actor in a Comedy Series, and told ET of the nom, "Sometimes I take out my SAG card and just stare at it for large amounts of time. I'm completely shocked and honored! So happy for Jane [Lynch] and that our amazing cast was recognized too!"
His comment reminds me of a young singer who experienced sudden fame. He said he went from looking for loose change in his couch cushions to visiting ATM's so he could giggle at his growing account balances. :)
I just cannot imagine how much Chris' head is spinning these days. I love how he drew the comparison between his peer relationships in high school and the recognition he is now receiving from the entertainment industry. I wish it could be praise and nominations for him all the time, but unfortunately there are plenty of bullies in the business too.
gleekette
Fourteen Things You Need to Know About Kevin McHale
http://www.wetpaint.com/glee/articles/14-things-you-need-to-know-about-kevin-mchale
If you don’t love Kevin McHale (Artie), we’re seriously questioning your sanity. Seriously. So, because we know you DO love him, we’ve compiled 14 things you need to know about him, like, yesterday. Get ready, Gleeks! He’s kinda quirky (and we totally love it.)
1. He was a member of former boy band NLT, which stands for Not Like Them.
2. He counts everything, including ceiling tiles, floor tiles, and windows.
3. He loves shoes and has a ton of sneakers.
4. He paints, though he says not very well.
5. He has an aversion to other peoples’ feet.
6. He has to start every day with orange juice.
7. He hates it when people smack when they chew.
8. If there’s rice, chicken, and asparagus — he has to eat everything separately and in order.
9. He’s a pop culture freak.
10. He loves soccer.
11. He gets intense anxiety every time he has to park his car so he drives like an old person.
12. He’s the best dancer in the entire cast of Glee. [hmm... better than Harry Shum?]
13. He has made guest appearances on The Office, Zoey 101, and True Blood.
14. He (Mc)Hale’s (haha, get it?) from Plano, Texas.
End of article
Yea! He's a Texas boy! (which I already knew.)
About number 12 - the choreographer for the show, Zach, lamented at the beginning of Glee that Kevin was probably the best dancer in the cast, but he was playing a character who uses a wheelchair. He said this when there were only six kids in the glee club - Rachel, Finn, Artie, Kurt, Mercedes, and Tina.
I could add a number 15 - He's also a big Harry Potter fan.
And a number 16 - One of his sisters worked for Jay Leno, so Kevin first met Jay when he was very young.
gleekette
If you don’t love Kevin McHale (Artie), we’re seriously questioning your sanity. Seriously. So, because we know you DO love him, we’ve compiled 14 things you need to know about him, like, yesterday. Get ready, Gleeks! He’s kinda quirky (and we totally love it.)
1. He was a member of former boy band NLT, which stands for Not Like Them.
2. He counts everything, including ceiling tiles, floor tiles, and windows.
3. He loves shoes and has a ton of sneakers.
4. He paints, though he says not very well.
5. He has an aversion to other peoples’ feet.
6. He has to start every day with orange juice.
7. He hates it when people smack when they chew.
8. If there’s rice, chicken, and asparagus — he has to eat everything separately and in order.
9. He’s a pop culture freak.
10. He loves soccer.
11. He gets intense anxiety every time he has to park his car so he drives like an old person.
12. He’s the best dancer in the entire cast of Glee. [hmm... better than Harry Shum?]
13. He has made guest appearances on The Office, Zoey 101, and True Blood.
14. He (Mc)Hale’s (haha, get it?) from Plano, Texas.
End of article
Yea! He's a Texas boy! (which I already knew.)
About number 12 - the choreographer for the show, Zach, lamented at the beginning of Glee that Kevin was probably the best dancer in the cast, but he was playing a character who uses a wheelchair. He said this when there were only six kids in the glee club - Rachel, Finn, Artie, Kurt, Mercedes, and Tina.
I could add a number 15 - He's also a big Harry Potter fan.
And a number 16 - One of his sisters worked for Jay Leno, so Kevin first met Jay when he was very young.
gleekette
Wednesday, December 15, 2010
Two Golden Globe Articles And Time Magazine
http://insidetv.ew.com/2010/12/14/glee-chris-colfer-golden-globe-interview/
Glee: Chris Colfer on his Golden Globe Nomination and his new big screen project
by Tim Stack
Glee‘s Chris Colfer now has more to be glee-ful about than a phenomenal second season: He’s been nominated for a Golden Globe for Best Supporting Actor in TV Series, Mini-Series, or Made-for-TV Movie. Shortly after finding out about his nod, Colfer rang EW to talk about the Globes, as well as his upcoming foray into movies.
ENTERTAINMENT WEEKLY: So how did you find out? Were you awake?
CHRIS COLFER: I woke up with a phone call. I was not awake for the announcement. My publicist called me at 5 a.m., and I’ve been wide awake since.
Have you celebrated yet?
No not really! For one, all my friends are on the show and they’re working today! And all my family lives four hours away so I have no one to celebrate with. So I might go get some frozen yogurt and have a party by myself.
That feels kinda sad.
It’s sad, Tim. You can say it! [Laughs] It’s sad and pathetic.
Is it sweet to get nominated for the bullying storyline that’s been such a big part of this season?
Oh yeah. The storyline has been meaningful for so many people. It validates it as much as the feedback we’ve gotten from the people it’s affected and people that needed to see it.
Have you talked to your fellow acting nominees, Matthew Morrison, Lea Michele, and Jane Lynch?
I saw Matt, Jane, and Lea this morning and I tackled all of them.
Jane is like 6 feet tall! That’s impressive!
Oh yeah. She could take me and she has before. The only person I’m actually eligible to take down is Lea. She’s tiny but she’s powerful.
Are you working today?
I’m not, because I’m at the other school [Dalton Academy] so I only work once a week rather than everyday all day like the others do.
Is that weird now to not be working so much?
It was a nice break for the first two days, and now I feel like a housewife. I don’t know what to do with myself! I literally will sometimes sit at home and twitch. I’ve run all my errands, paid all my bills, seen all my doctors. There’s literally nothing else for me to do. I don’t think I could ever retire.
Maybe some pottery classes?
Oh, I’m already there.
You just wrote a screenplay, right? The teen comedy Struck by Lightning?
I did yes!
Can you tell me a little bit about it?
I can say that it’s probably not as good as Inception but it’s probably better than Sharktopus. It’s very strange that I’m actually talking about it now because it’s been a very secret project. I hate the whole taboo of actors that write and I never wanted to seem like that.
Will the character be different than Kurt?
It will be very different yes. It will be someone I wished I was in high school. And here will be no singing and dancing allowed.
End of article
http://www.mtv.com/news/articles/1654260/20101214/story.jhtml
by Jocelyn Vena
"Glee" might be a show about a bunch of outcasts, but the show is anything but in Hollywood. On Tuesday morning (December 14), the show was nominated for five Golden Globes, including Jane Lynch's nod for Best Performance by an Actress in a Supporting Role, Matthew Morrison for Best Performance by an Actor in a Television Series - Comedy or Musical and the show's Best Television Series - Comedy Or Musical nomination.
"#GLEE has received 5 Golden Globe nominations!" the show's official Twitter reads. "Congrats Jane Lynch, Chris Colfer, Lea Michele, Matthew Morrison and the whole cast and crew!"
Chris Colfer, who is up for Best Performance by an Actor in a Supporting Role, was overjoyed by the news. "I'm so excited to be nominated!" he said in a statement. "I've been extra high pitched and stutter-y all morning!"
"OMGG! I can't believe it! Am I awake? OUCH!" he also tweeted. "Yes, I'm awake! I'm going to obnoxiously tackle everyone I see today!"
Meanwhile, Lea Michele, who is up for Best Performance by an Actress in a Television Series - Comedy or Musical, not only was excited for her own nom, but also her fellow castmates' nominations. "I am very grateful to the HFPA and honored to be included with this extraordinary group of actresses. I am so excited for Chris, Matthew and Jane and share this nomination with the entire cast and crew of 'Glee.' "
She also tweeted, "Oh my g-d!!!! So excited, happy, thrilled, and thankful this morning:) What amazing news!! So happy for our show, Jane, matt & chris too!!!!"
End of article
And finally, Glee was included in the Time Magazine Person of the Year issue:
http://www.time.com/time/specials/packages/article/0,28804,2036683_2036767_2036790,00.html
People Who Mattered: The Glee Cast
by Feifei Sun
Highs: As if its big and loyal fan base of "Gleeks" weren't recognition enough, the Glee cast dominated this year's awards season. In January, the cast picked up the top prize (Best Television Series — Musical or Comedy) at the Golden Globes, and again at the SAG awards, where the team won for best ensemble performance. Actors Jane Lynch and Neil Patrick Harris won Emmys later this year, in August, while director Ryan Murphy picked up a statue for his directing work. Glee, whose second season began this September, has also been praised for raising awareness of social issues such as homophobia and influencing the music industry by giving older artists a new life with the series' younger audience.
Lows: GQ magazine started a media firestorm when it put three flesh-flashing members of the Glee cast on its November 2010 cover. The racy image — which featured actress Dianna Agron in a belly-baring top and mini skirt, and Lea Michele in bright pink lingerie — and its equally provocative spread drew criticism from The Parents Television Council, which slammed GQ for "sexualizing the actresses" in a cover that "borders on pedophilia."
End of article
Glee: Chris Colfer on his Golden Globe Nomination and his new big screen project
by Tim Stack
Glee‘s Chris Colfer now has more to be glee-ful about than a phenomenal second season: He’s been nominated for a Golden Globe for Best Supporting Actor in TV Series, Mini-Series, or Made-for-TV Movie. Shortly after finding out about his nod, Colfer rang EW to talk about the Globes, as well as his upcoming foray into movies.
ENTERTAINMENT WEEKLY: So how did you find out? Were you awake?
CHRIS COLFER: I woke up with a phone call. I was not awake for the announcement. My publicist called me at 5 a.m., and I’ve been wide awake since.
Have you celebrated yet?
No not really! For one, all my friends are on the show and they’re working today! And all my family lives four hours away so I have no one to celebrate with. So I might go get some frozen yogurt and have a party by myself.
That feels kinda sad.
It’s sad, Tim. You can say it! [Laughs] It’s sad and pathetic.
Is it sweet to get nominated for the bullying storyline that’s been such a big part of this season?
Oh yeah. The storyline has been meaningful for so many people. It validates it as much as the feedback we’ve gotten from the people it’s affected and people that needed to see it.
Have you talked to your fellow acting nominees, Matthew Morrison, Lea Michele, and Jane Lynch?
I saw Matt, Jane, and Lea this morning and I tackled all of them.
Jane is like 6 feet tall! That’s impressive!
Oh yeah. She could take me and she has before. The only person I’m actually eligible to take down is Lea. She’s tiny but she’s powerful.
Are you working today?
I’m not, because I’m at the other school [Dalton Academy] so I only work once a week rather than everyday all day like the others do.
Is that weird now to not be working so much?
It was a nice break for the first two days, and now I feel like a housewife. I don’t know what to do with myself! I literally will sometimes sit at home and twitch. I’ve run all my errands, paid all my bills, seen all my doctors. There’s literally nothing else for me to do. I don’t think I could ever retire.
Maybe some pottery classes?
Oh, I’m already there.
You just wrote a screenplay, right? The teen comedy Struck by Lightning?
I did yes!
Can you tell me a little bit about it?
I can say that it’s probably not as good as Inception but it’s probably better than Sharktopus. It’s very strange that I’m actually talking about it now because it’s been a very secret project. I hate the whole taboo of actors that write and I never wanted to seem like that.
Will the character be different than Kurt?
It will be very different yes. It will be someone I wished I was in high school. And here will be no singing and dancing allowed.
End of article
http://www.mtv.com/news/articles/1654260/20101214/story.jhtml
by Jocelyn Vena
"Glee" might be a show about a bunch of outcasts, but the show is anything but in Hollywood. On Tuesday morning (December 14), the show was nominated for five Golden Globes, including Jane Lynch's nod for Best Performance by an Actress in a Supporting Role, Matthew Morrison for Best Performance by an Actor in a Television Series - Comedy or Musical and the show's Best Television Series - Comedy Or Musical nomination.
"#GLEE has received 5 Golden Globe nominations!" the show's official Twitter reads. "Congrats Jane Lynch, Chris Colfer, Lea Michele, Matthew Morrison and the whole cast and crew!"
Chris Colfer, who is up for Best Performance by an Actor in a Supporting Role, was overjoyed by the news. "I'm so excited to be nominated!" he said in a statement. "I've been extra high pitched and stutter-y all morning!"
"OMGG! I can't believe it! Am I awake? OUCH!" he also tweeted. "Yes, I'm awake! I'm going to obnoxiously tackle everyone I see today!"
Meanwhile, Lea Michele, who is up for Best Performance by an Actress in a Television Series - Comedy or Musical, not only was excited for her own nom, but also her fellow castmates' nominations. "I am very grateful to the HFPA and honored to be included with this extraordinary group of actresses. I am so excited for Chris, Matthew and Jane and share this nomination with the entire cast and crew of 'Glee.' "
She also tweeted, "Oh my g-d!!!! So excited, happy, thrilled, and thankful this morning:) What amazing news!! So happy for our show, Jane, matt & chris too!!!!"
End of article
And finally, Glee was included in the Time Magazine Person of the Year issue:
http://www.time.com/time/specials/packages/article/0,28804,2036683_2036767_2036790,00.html
People Who Mattered: The Glee Cast
by Feifei Sun
Highs: As if its big and loyal fan base of "Gleeks" weren't recognition enough, the Glee cast dominated this year's awards season. In January, the cast picked up the top prize (Best Television Series — Musical or Comedy) at the Golden Globes, and again at the SAG awards, where the team won for best ensemble performance. Actors Jane Lynch and Neil Patrick Harris won Emmys later this year, in August, while director Ryan Murphy picked up a statue for his directing work. Glee, whose second season began this September, has also been praised for raising awareness of social issues such as homophobia and influencing the music industry by giving older artists a new life with the series' younger audience.
Lows: GQ magazine started a media firestorm when it put three flesh-flashing members of the Glee cast on its November 2010 cover. The racy image — which featured actress Dianna Agron in a belly-baring top and mini skirt, and Lea Michele in bright pink lingerie — and its equally provocative spread drew criticism from The Parents Television Council, which slammed GQ for "sexualizing the actresses" in a cover that "borders on pedophilia."
End of article
Tuesday, December 14, 2010
Golden Globes
http://www.hollywoodreporter.com/news/chris-colfer-glee-cast-moon-59632
Chris Colfer: Glee Cast is 'Over the Moon' About Five Nominations
The supporting actor nominee compares the success of his Fox hit to "the Soviet Union: it's getting bigger and bigger."
Chris Colfer couldn't have been more excited to pick up his first Golden Globe nom for supporting actor for his performance as teen Kurt Hummel on Fox's sophomore hit Glee.
The actor said the dramedy's success was "like the Soviet Union: it's getting bigger and bigger and I think it has a lot to do with the music -- it unites everyone."
Colfer said he planned to "blackmail" some of his cast members into celebrating the show's TV-leading five nominations over lunch. "Everyone is over the moon," he noted.
As for rumors that production on Glee's upcoming Super Bowl episode was delayed because of a tonsillitis outbreak on the set, he tells THR: "The tonsillitis thing was a little stretch; I'm not sure how much of that was true. I thought we were shutting down because of fog with the night shoots."
Looking ahead, Colfer would only tease that as of Episode 12, there was no development with his on-screen relationship with new Glee star, Darren Criss' Blaine.
"I'm sure there's hope," he said.
End of article
WOO-HOO! F-I-V-E nominations, more than any other television series! GO GLEE! SO thrilled for Chris, Jane, Lea, and Matthew. Unfortunately I think it will be a long shot for any of them to win, especially Lea and Matthew, who are up against the likes of Edie Falco, Laura Linney, Alec Baldwin, and Jim Parsons. The supporting categories for television at the Golden Globes are extra tough because they include comedy and drama together. Chris is very young and this is his first nomination, but he has earned so much praise for his work. Jane was nominated last time and was favored to win, but lost to Chloe Sevigny from "Big Love." I think it will be an uphill battle for the show as well. Glee won the Golden Globe for this year, but the critics have been less glowing in the sophmore season, and the show is up against Modern Family, which won the Emmy this year, and perennial favorite "30 Rock."
Still and all, a definite honor to be nominated. YEA!!!!!!
gleekette
Chris Colfer: Glee Cast is 'Over the Moon' About Five Nominations
The supporting actor nominee compares the success of his Fox hit to "the Soviet Union: it's getting bigger and bigger."
Chris Colfer couldn't have been more excited to pick up his first Golden Globe nom for supporting actor for his performance as teen Kurt Hummel on Fox's sophomore hit Glee.
The actor said the dramedy's success was "like the Soviet Union: it's getting bigger and bigger and I think it has a lot to do with the music -- it unites everyone."
Colfer said he planned to "blackmail" some of his cast members into celebrating the show's TV-leading five nominations over lunch. "Everyone is over the moon," he noted.
As for rumors that production on Glee's upcoming Super Bowl episode was delayed because of a tonsillitis outbreak on the set, he tells THR: "The tonsillitis thing was a little stretch; I'm not sure how much of that was true. I thought we were shutting down because of fog with the night shoots."
Looking ahead, Colfer would only tease that as of Episode 12, there was no development with his on-screen relationship with new Glee star, Darren Criss' Blaine.
"I'm sure there's hope," he said.
End of article
WOO-HOO! F-I-V-E nominations, more than any other television series! GO GLEE! SO thrilled for Chris, Jane, Lea, and Matthew. Unfortunately I think it will be a long shot for any of them to win, especially Lea and Matthew, who are up against the likes of Edie Falco, Laura Linney, Alec Baldwin, and Jim Parsons. The supporting categories for television at the Golden Globes are extra tough because they include comedy and drama together. Chris is very young and this is his first nomination, but he has earned so much praise for his work. Jane was nominated last time and was favored to win, but lost to Chloe Sevigny from "Big Love." I think it will be an uphill battle for the show as well. Glee won the Golden Globe for this year, but the critics have been less glowing in the sophmore season, and the show is up against Modern Family, which won the Emmy this year, and perennial favorite "30 Rock."
Still and all, a definite honor to be nominated. YEA!!!!!!
gleekette
Wednesday, December 8, 2010
Russell and Chris
I just had to post this picture of Russell Brand and Chris Colfer. They met last year when Chris and the other Glee guys co-hosted the Teen Choice Awards with Brand's then girlfriend, now wife, Katy Perry.
Russell and Chris were both on the Tonight Show with Jay Leno on Monday night, and they were hilarious together. This picture was taken on the red carpet at Russell's new movie, "The Tempest," starring Helen Mirren.
gleekette
Chris Colfer After Elton article
http://www.afterelton.com/people/2010/12/chris-colfer-glee-living-teenage-dream
Exclusive: 'Glee's' Chris Colfer is living the Teenage Dream
by Christie Keith
Glee’s Chris Colfer wasn’t really expecting an avalanche of statistics when he sat down for an interview with AfterElton.com on Friday, but that’s what he got.
When he spoke to us, Colfer, the character he plays, and Glee itself were dominating every category they were nominated for in the AfterElton.com Visibility Awards – favorite TV comedy, favorite TV actor, favorite TV couple, best gay moment, and gay/bi man of the year. Although Colfer’s currently neck and neck with Adam Lambert in that last category, on Friday he had more votes than Lambert, Neil Patrick Harris and Dan Savage combined.
“Oh. My. God,” he said. “Wow. I’m very surprised. I knew the interview I was doing with you was going to be about that, but I had no idea that I would be in the lead or anything like that.”
After a little joking about what he gets if he wins – he said he’d like a pony, and if he gets one, he’ll definitely name him “Elton” – the conversation turned to the the clip of Blaine (Darren Criss) singing “Teenage Dream” to Colfer’s character, Kurt. The clip was, and is, solidly in the lead for “Best gay moment of the year,” even ahead of the overturning of Prop 8 and the “It Gets Better” anti-bullying campaign, for which Colfer made a video.
“I have to tell them all that I so appreciate that,” he said, “But I think that the ‘It Gets Better’ campaign and the federal court decision overturning Prop 8 are much more important.” Still, he agreed, both “Teenage Dream” and the more recent, holiday-themed “Baby, It’s Cold Outside” feature a kind of flirtatious singing that’s unlike anything ever seen between two high school boys on television before, and he definitely understands why moments of visibility like that are important to GLBT youth.
“I always get excited when I film the Blaine/Kurt stuff just because I know it means so much to people, and it makes them so excited,” he said, then added, “It’s such a tease, that relationship, isn’t it?”
Pressed for even a tiny hint as to whether the tease would ever pay off, he swore he really didn’t know. “Everyone wants it to happen, but as of right now, we’re filming Episode 12 and it hasn’t happened yet,” he said. “It could be Blaine, or it could be someone else, or who knows? Maybe there’s going to be a love triangle. I really do not know.”
In fact, he says, he’s not sure show creator Ryan Murphy even knows. “I actually saw [him] last night, and I asked him and he wouldn’t tell me,” he said. “Which makes me think that he doesn’t even really know, so we’ll see. I think they’re kind of milking it for what it’s worth, and then seeing where it goes.”
Colfer said that being kept mostly in the dark about his character’s future is just how it happens on the show. “The only thing I knew about this season going into it was that Kurt was going to get a boyfriend and that’s all that they told me,” he said. “We actually started filming a little bit of a bully arc prior to all the suicides, and prior to it becoming really in the news. But that really inspired us to continue on that storyline and build it up to what it’s become.
“But I had no idea. It seems like I always say I had no idea that this was going to happen, or that was going to happen, because we get a little tiny molehill of what could happen in a script or what could happen in a season, and then suddenly they become huge mountains in the media and the world.”
So, if Colfer weren’t in the cast, and was just a small town gay high school kid watching the show, what would he want to see happen between Blaine and Kurt?
“I’d want exactly what I want now, which is just for it to be handled with honesty and truth and for it to be taken seriously,” he said. “And I think it’s been taken very seriously so far. I think it’s been handled great so far, and I just hope they continue to do that, which I think they will. They seem to have no problem doing that.”
Then he laughed. “I do have to say that that shot of them running down the hall was too gay even for me. I had no idea they were going to use that in slow motion, and then when I saw it, I turned to the director and I said, ‘Are you kidding me?’ I couldn’t believe it.”
Working with Criss has been great, Colfer said, although some of the scenes are a little difficult to shoot. “We film all the Dalton Academy stuff in Pasadena, so it always seems almost like I’m on another TV show when I’m filming there,” he said. “And it’s so strange filming anything without the rest of my Glee family there. Thank God it’s the same crew, so I don’t get too lonely.
“But Darren and I, we have a great time. I have fun with him. I was a big fan of his before he was cast because I was a big fan of A Very Potter Musical. And the funny thing is, even when I told him that when I first met him, I don’t think he quite believed me. I think he just thought I did a little research on him. But no, I actually was a big fan of his, because I just thought that whole thing was so genius. So I do ask him quite a bit about making that, and what it’s like to go to Michigan, and all that. He takes everything very seriously, which is very comforting. He’s great.”
When it comes to being on the set, though, Amber Riley (Mercedes) and show creator Ryan Murphy are the most fun for Colfer to work with. “Seriously, Amber and I or Ryan and I just sit there and make each other laugh constantly. Ryan and Amber are two of the only people who can make me laugh for a long period of time, like crying and can’t form any words ‘cause I’m laughing so hard.
“Just last night, we were filming this scene with the Dalton Warblers, and Ryan’s direction for the Warblers was that they needed to be ‘more drag queen.’ And of course, we were teasing him mercilessly because I told him he could be directing a Holocaust movie, and that would be his direction for the prisoners and the Nazis, that they needed to be ‘more drag queen.’
“So I have a great, great time with Ryan and we always impersonate Patti LuPone and Cher and people like that. Of course, Amber and I are both very sarcastic and make judgmental comments about pretty much everything. And then the three of us together, I mean, it should be illegal. We have so much fun.”
Does that mean we’ll have more Kurt and Mercedes this season, even though the relationship seems to be on the back burner at the moment?
“I certainly hope so,” he said. “I actually got this letter from this woman saying, ‘The only thing that bothered me about the “Never Been Kissed” episode was the fact that Mercedes didn’t find Karofsky and kick his ass.’ And I thought, ‘Oh, my God. You are so right.’ I would love to see that storyline. I love to see Mercedes step up for Kurt, and I love to see Kurt step up for Mercedes. I think they have a great friendship and, yeah, I definitely hope they explore that more.”
What about the segment of fans who think Kurt and Dave Karofsky (Max Adler), the football player who is harassing him at McKinley High, might be involved romantically in the future?
“I remember as soon as the first kiss seen happened in the locker room,” he said, “which I was shocked to read – I’m still shocked that that actually it aired – I actually had this thought to myself. ‘Oh, maybe they’re just going to give everyone whiplash and Karofsky’s going to become the boyfriend.’ But then after Karofsky threatened to kill Kurt, threatened to take his life, I think that was thrown out of the water. I would not want that to be seen, because I don’t think that sends a good message out there.”
“Whiplash” is also a good word to describe the change playing Kurt has brought about in Colfer’s life. “I’m still just getting over being cast three years ago, let alone Kurt’s becoming such an influential and inspiring character,” he said. “I don’t think I could have ever imagined that. The dream keeps getting bigger and bigger and my pinch just keeps getting harder and harder.”
Asked if he knew Entertainment Weekly called Kurt the most important character on television today, he laughed. “You see? Exhibit A. Who would have thought? Not me, for sure. I’m sure Kurt would have thought that, though. I’m sure Kurt would have said, ‘Well, of course I am.’ But I would have never predicted that.”
Something else he’d have never predicted is widespread critical acclaim for his powerful acting, including an Emmy nomination for what is the first major role of a very young actor. And, he said, he’s having a hard time taking it in.
“I have never really been one to soak up the good,” he said. “I always seem to focus on the negative although, thankfully, there really hasn’t been that much. But there’s been some negative feedback about the storyline, and that’s always what I tend to focus on, which I know is kind of crazy.”
The acclaim he’s received sometimes feels like pressure to Colfer. “It makes you think, what am I going to do next? How am I going to top this? And I think everyone’s kind of put me in a role model position, and that definitely is a lot of pressure. But I think as long as I make sure that the character is always handled with respect and dignity, and I handle myself that way, then I should be fine.”
Some of the negative feedback Colfer’s heard is that Kurt’s character is too much of a stereotype. “I feel like people say that about any gay character, no matter what show they’re on, no matter what they’re about,” he said. “They always say it’s stereotypical. Personally, I don’t see Kurt as a stereotype, but maybe it’s because I have a bigger insight into what’s going on in his brain. I remember when I first developed the character, I wanted him to be different in the respect that I wanted him to be very real, and I think often gay characters on TV shows are punching bags, or punch lines, or annoying characters in the background.
“Kurt can be kind of bitchy sometimes. But other than that, I don’t think he is a stereotype. I think he’s a very vulnerable kid trying to make it in a world that tells him he shouldn’t be who he is. But I’ve never thought of him as a stereotype just because I would never want to portray a stereotype at all.”
Colfer has also seen some fans who think the show is featuring Kurt’s storyline, and gay elements in general, too prominently. “I think the thing that bothers me the most is when people say that the show is focusing too much on the gay character,” he said. “Number one, it makes me upset that people don’t think a gay character could be featured that way. But what upsets me the most is the fact that this storyline that Kurt is going through, and these experiences that he’s going through, need to be seen more than ever.
“I mean, think about how many kids killed themselves just last month. This is a storyline that needs to be seen. Quite frankly, I don’t care if people think it’s worthy enough for their entertainment. It’s something that’s more than that. It’s important for kids to see Kurt and the experiences that he goes through. It’s very critical for the kids out there to know they’re not alone. And so I think that when people say, ‘Glee’s gone so gay, blah, blah, blah,’ – well, maybe it has, but it’s for a reason.”
End of article
Fantastic interview. What more can I say? How much more praise can I heap on this young man? So mature, so articulate, so insightful for a guy his age. I just couldn't be more impressed and proud of him.
Thank "Grilled Cheesus" he doesn't want to see Kurt and Karofsky together either! :)
Supposedly the writer is taking up a collection to get him a pony, whether he wins any of the polls or not. :)
gleekette
Exclusive: 'Glee's' Chris Colfer is living the Teenage Dream
by Christie Keith
Glee’s Chris Colfer wasn’t really expecting an avalanche of statistics when he sat down for an interview with AfterElton.com on Friday, but that’s what he got.
When he spoke to us, Colfer, the character he plays, and Glee itself were dominating every category they were nominated for in the AfterElton.com Visibility Awards – favorite TV comedy, favorite TV actor, favorite TV couple, best gay moment, and gay/bi man of the year. Although Colfer’s currently neck and neck with Adam Lambert in that last category, on Friday he had more votes than Lambert, Neil Patrick Harris and Dan Savage combined.
“Oh. My. God,” he said. “Wow. I’m very surprised. I knew the interview I was doing with you was going to be about that, but I had no idea that I would be in the lead or anything like that.”
After a little joking about what he gets if he wins – he said he’d like a pony, and if he gets one, he’ll definitely name him “Elton” – the conversation turned to the the clip of Blaine (Darren Criss) singing “Teenage Dream” to Colfer’s character, Kurt. The clip was, and is, solidly in the lead for “Best gay moment of the year,” even ahead of the overturning of Prop 8 and the “It Gets Better” anti-bullying campaign, for which Colfer made a video.
“I have to tell them all that I so appreciate that,” he said, “But I think that the ‘It Gets Better’ campaign and the federal court decision overturning Prop 8 are much more important.” Still, he agreed, both “Teenage Dream” and the more recent, holiday-themed “Baby, It’s Cold Outside” feature a kind of flirtatious singing that’s unlike anything ever seen between two high school boys on television before, and he definitely understands why moments of visibility like that are important to GLBT youth.
“I always get excited when I film the Blaine/Kurt stuff just because I know it means so much to people, and it makes them so excited,” he said, then added, “It’s such a tease, that relationship, isn’t it?”
Pressed for even a tiny hint as to whether the tease would ever pay off, he swore he really didn’t know. “Everyone wants it to happen, but as of right now, we’re filming Episode 12 and it hasn’t happened yet,” he said. “It could be Blaine, or it could be someone else, or who knows? Maybe there’s going to be a love triangle. I really do not know.”
In fact, he says, he’s not sure show creator Ryan Murphy even knows. “I actually saw [him] last night, and I asked him and he wouldn’t tell me,” he said. “Which makes me think that he doesn’t even really know, so we’ll see. I think they’re kind of milking it for what it’s worth, and then seeing where it goes.”
Colfer said that being kept mostly in the dark about his character’s future is just how it happens on the show. “The only thing I knew about this season going into it was that Kurt was going to get a boyfriend and that’s all that they told me,” he said. “We actually started filming a little bit of a bully arc prior to all the suicides, and prior to it becoming really in the news. But that really inspired us to continue on that storyline and build it up to what it’s become.
“But I had no idea. It seems like I always say I had no idea that this was going to happen, or that was going to happen, because we get a little tiny molehill of what could happen in a script or what could happen in a season, and then suddenly they become huge mountains in the media and the world.”
So, if Colfer weren’t in the cast, and was just a small town gay high school kid watching the show, what would he want to see happen between Blaine and Kurt?
“I’d want exactly what I want now, which is just for it to be handled with honesty and truth and for it to be taken seriously,” he said. “And I think it’s been taken very seriously so far. I think it’s been handled great so far, and I just hope they continue to do that, which I think they will. They seem to have no problem doing that.”
Then he laughed. “I do have to say that that shot of them running down the hall was too gay even for me. I had no idea they were going to use that in slow motion, and then when I saw it, I turned to the director and I said, ‘Are you kidding me?’ I couldn’t believe it.”
Working with Criss has been great, Colfer said, although some of the scenes are a little difficult to shoot. “We film all the Dalton Academy stuff in Pasadena, so it always seems almost like I’m on another TV show when I’m filming there,” he said. “And it’s so strange filming anything without the rest of my Glee family there. Thank God it’s the same crew, so I don’t get too lonely.
“But Darren and I, we have a great time. I have fun with him. I was a big fan of his before he was cast because I was a big fan of A Very Potter Musical. And the funny thing is, even when I told him that when I first met him, I don’t think he quite believed me. I think he just thought I did a little research on him. But no, I actually was a big fan of his, because I just thought that whole thing was so genius. So I do ask him quite a bit about making that, and what it’s like to go to Michigan, and all that. He takes everything very seriously, which is very comforting. He’s great.”
When it comes to being on the set, though, Amber Riley (Mercedes) and show creator Ryan Murphy are the most fun for Colfer to work with. “Seriously, Amber and I or Ryan and I just sit there and make each other laugh constantly. Ryan and Amber are two of the only people who can make me laugh for a long period of time, like crying and can’t form any words ‘cause I’m laughing so hard.
“Just last night, we were filming this scene with the Dalton Warblers, and Ryan’s direction for the Warblers was that they needed to be ‘more drag queen.’ And of course, we were teasing him mercilessly because I told him he could be directing a Holocaust movie, and that would be his direction for the prisoners and the Nazis, that they needed to be ‘more drag queen.’
“So I have a great, great time with Ryan and we always impersonate Patti LuPone and Cher and people like that. Of course, Amber and I are both very sarcastic and make judgmental comments about pretty much everything. And then the three of us together, I mean, it should be illegal. We have so much fun.”
Does that mean we’ll have more Kurt and Mercedes this season, even though the relationship seems to be on the back burner at the moment?
“I certainly hope so,” he said. “I actually got this letter from this woman saying, ‘The only thing that bothered me about the “Never Been Kissed” episode was the fact that Mercedes didn’t find Karofsky and kick his ass.’ And I thought, ‘Oh, my God. You are so right.’ I would love to see that storyline. I love to see Mercedes step up for Kurt, and I love to see Kurt step up for Mercedes. I think they have a great friendship and, yeah, I definitely hope they explore that more.”
What about the segment of fans who think Kurt and Dave Karofsky (Max Adler), the football player who is harassing him at McKinley High, might be involved romantically in the future?
“I remember as soon as the first kiss seen happened in the locker room,” he said, “which I was shocked to read – I’m still shocked that that actually it aired – I actually had this thought to myself. ‘Oh, maybe they’re just going to give everyone whiplash and Karofsky’s going to become the boyfriend.’ But then after Karofsky threatened to kill Kurt, threatened to take his life, I think that was thrown out of the water. I would not want that to be seen, because I don’t think that sends a good message out there.”
“Whiplash” is also a good word to describe the change playing Kurt has brought about in Colfer’s life. “I’m still just getting over being cast three years ago, let alone Kurt’s becoming such an influential and inspiring character,” he said. “I don’t think I could have ever imagined that. The dream keeps getting bigger and bigger and my pinch just keeps getting harder and harder.”
Asked if he knew Entertainment Weekly called Kurt the most important character on television today, he laughed. “You see? Exhibit A. Who would have thought? Not me, for sure. I’m sure Kurt would have thought that, though. I’m sure Kurt would have said, ‘Well, of course I am.’ But I would have never predicted that.”
Something else he’d have never predicted is widespread critical acclaim for his powerful acting, including an Emmy nomination for what is the first major role of a very young actor. And, he said, he’s having a hard time taking it in.
“I have never really been one to soak up the good,” he said. “I always seem to focus on the negative although, thankfully, there really hasn’t been that much. But there’s been some negative feedback about the storyline, and that’s always what I tend to focus on, which I know is kind of crazy.”
The acclaim he’s received sometimes feels like pressure to Colfer. “It makes you think, what am I going to do next? How am I going to top this? And I think everyone’s kind of put me in a role model position, and that definitely is a lot of pressure. But I think as long as I make sure that the character is always handled with respect and dignity, and I handle myself that way, then I should be fine.”
Some of the negative feedback Colfer’s heard is that Kurt’s character is too much of a stereotype. “I feel like people say that about any gay character, no matter what show they’re on, no matter what they’re about,” he said. “They always say it’s stereotypical. Personally, I don’t see Kurt as a stereotype, but maybe it’s because I have a bigger insight into what’s going on in his brain. I remember when I first developed the character, I wanted him to be different in the respect that I wanted him to be very real, and I think often gay characters on TV shows are punching bags, or punch lines, or annoying characters in the background.
“Kurt can be kind of bitchy sometimes. But other than that, I don’t think he is a stereotype. I think he’s a very vulnerable kid trying to make it in a world that tells him he shouldn’t be who he is. But I’ve never thought of him as a stereotype just because I would never want to portray a stereotype at all.”
Colfer has also seen some fans who think the show is featuring Kurt’s storyline, and gay elements in general, too prominently. “I think the thing that bothers me the most is when people say that the show is focusing too much on the gay character,” he said. “Number one, it makes me upset that people don’t think a gay character could be featured that way. But what upsets me the most is the fact that this storyline that Kurt is going through, and these experiences that he’s going through, need to be seen more than ever.
“I mean, think about how many kids killed themselves just last month. This is a storyline that needs to be seen. Quite frankly, I don’t care if people think it’s worthy enough for their entertainment. It’s something that’s more than that. It’s important for kids to see Kurt and the experiences that he goes through. It’s very critical for the kids out there to know they’re not alone. And so I think that when people say, ‘Glee’s gone so gay, blah, blah, blah,’ – well, maybe it has, but it’s for a reason.”
End of article
Fantastic interview. What more can I say? How much more praise can I heap on this young man? So mature, so articulate, so insightful for a guy his age. I just couldn't be more impressed and proud of him.
Thank "Grilled Cheesus" he doesn't want to see Kurt and Karofsky together either! :)
Supposedly the writer is taking up a collection to get him a pony, whether he wins any of the polls or not. :)
gleekette
Tuesday, December 7, 2010
Glee actors and movie projects
Some tidbits...
Dianna Agron (Quinn) has a very small part in the current film "Burlesque," starring Christina Aguilera, Cher, and Stanley Tucci.
Next year Dianna will be featured in the sci-fi thriller "I Am Number Four."
Cory Monteith is slated to star in and produce a "workplace comedy" that is in the early stages of development.
Finally, Chris Colfer has written and will star in an indie film entitled "Struck by Lightning," which is being described as a "coming of age" story, penned in the style of scripts made famous by John Hughes. "Lightning" will be shot next summer during the "Glee" hiatus.
gleekette
Dianna Agron (Quinn) has a very small part in the current film "Burlesque," starring Christina Aguilera, Cher, and Stanley Tucci.
Next year Dianna will be featured in the sci-fi thriller "I Am Number Four."
Cory Monteith is slated to star in and produce a "workplace comedy" that is in the early stages of development.
Finally, Chris Colfer has written and will star in an indie film entitled "Struck by Lightning," which is being described as a "coming of age" story, penned in the style of scripts made famous by John Hughes. "Lightning" will be shot next summer during the "Glee" hiatus.
gleekette
Rolling Stone Ryan Murphy Q & A
http://www.rollingstone.com/music/news/68404/239962
Q&A: 'Glee' Creator Ryan Murphy Reveals Plans for Rest of Season
'We will continue to use Journey songs,' says Murphy
by Erica Futterman
December 7, 2010
Tonight Glee caps off the first half of its second season with "A Very Glee Christmas," just six days after being nominated for two Grammys. We spoke to series creator Ryan Murphy about Glee scoring the first-ever Grammy nod for Journey's "Don't Stop Believin'," tackling the King of Pop in upcoming episodes and what's in store for Kurt and Blaine.
What do you think it is about "Don't Stop Believin'" that made it the song from Glee to get nominated for Best Pop Performance By A Duo Or Group With Vocals, out of everything else you've done this year?
For us, it was the first song that we did. It was the first single. It sold a million copies for us. It was in the pilot. I think it was the musical thing that got everybody talking about the show because the pilot aired in May [2009] and that song played all through the summer and sold all through the summer and was there in the fall when we went back in the air.
Also, I think it's an anthem and people have such nostalgic feelings about that song — I did — so to see it interpreted by a new group, particularly a group of kids, I think was emotional and stirring. The thing that I love most about that nomination was that "Don't Stop Believin'" has never seen any Grammy nominations. So the fact that we were paying tribute to Steve Perry and Journey and their talent when we were doing it, that felt like a full circle thing for us.
Have you heard from any of the guys in Journey since the nomination?
Since the nominations, no, but we did speak to Steve Perry [before]. He's stopped by the set, he's very supportive of the show, I think so much because the show is so much about arts education and he particularly really loves that and got that early on. I haven't heard from him [since the nominations] but I want to. I want to tell him how excited we are about it.
You guys have used a few Journey songs and, actually, in last week's episode poked fun at the fact that you used a lot of Journey songs.
[Laughs] Yes, we have used so many Journey songs — and we will continue to use Journey songs.
Looking at the other nominations for Best Pop Performance By A Duo Or Group With Vocals, two of the other songs are the original versions of songs that have been performed on Glee: Paramore's "The Only Exception" and Train's "Hey, Soul Sister."
I know, and looking at that group we're actually covering one of the other nominees: we're doing Maroon 5's "Misery." There's only one nominee in that category we haven't done, so that was funny to us.
What can you reveal about "Misery"?
"Misery" is a track that Blaine (Darren Criss) is going to do with the Warblers. I'm friendly with Adam Levine, and he texted me saying, 'I think it's time we get Maroon 5 on Glee.' I said, 'I agree, I think it'd be great.' I love that song, I love Adam's performance on that song, so we're doing that in an upcoming spring episode.
We just had Darren Criss in the office talking about what his hopes are for Blaine on the show — what can you say about how this will relate to his relationship with Kurt?
We haven't written how the script, so I don't know if it will be romantic or not. Darren has certainly blown up and become really sought after, and I love his interpretations of a lot of things. I thought his voice and Adam's voice would fit each other well — and indeed, they do. I like that the a cappella group can do all sorts of music, including rock, but I don't know what the story is going to be yet.
The other nominee in that category is Sade's "Babyfather."
That's the one we're not doing. [Laughs] Not yet, anyway. I love Sade, so knows?
After tonight's episode, you'll be off the air until February. What can fans look forward to when you return?
I always think it's good when the show goes off air and make people miss it a little bit. When we come back, we come back with our Super Bowl episode, which is a Sunday and then on Tuesday we go straight into another episode. So, when we come back there'll be two Glee episodes in one week with, I think, 12 songs total.
I'm excited about our spring season because we're going back to the earlier Glee episodes. We really love all of our characters and the soap opera aspects of the show and now that we're cooking we'll be featuring those great stories in the back half.
With regard to the Super Bowl episode, so far we've heard that "Thriller" will be featured —
Uh-huh.
— that there will be a big Sue Sylvester blowout and that Katie Couric will be guest-starring.
Mmmhmm.
Can you reveal anything about how "Thriller" will be worked into that episode?
It's top secret, I'm sworn to secrecy. I want people to be surprised with what we're doing. All I'll say about that is that we're putting a new spin on it that I think people will really like.
I heard that there's a mash-up involved.
Can't say. Isn't it sad that I won't comment? We're doing a couple Michael Jackson songs this year, that's the first one.
Which other ones are on tap?
I'm narrowing it down, I don't know which ones I like. We're not doing any more tribute episodes this year, but I want some old school ones.
I just read that Katie Couric will be doing "Tea For Two" on the Super Bowl episode.
No, that is not true. [Laughs]
So many rumors — which leads to last week's rumor that, come 2012, the current crop of New Directions will be graduating.
Yes, we're going to be doing something. I'm not going to reveal what it is because it's two years away, but it'll be something momentous happening that spring.
In the way of a graduation?
Yeah.
But not necessarily in the way of people leaving the show?
Maybe.
What have been your favorite Glee performances?
I love "Don't Stop Believin'" because it was the first song and I love how we paid tribute to the band. I love Gwyneth Paltrow's version of "Forget You." I think she was so great in it, and we paid tribute to Cee Lo, who we all love so I was thrilled for his Grammy nomination. And then I've always been a big Florence and the Machine fan and I love that we did "The Dog Days Are Over" in a really sweet, fun, uplifting way. It helped bolt their single into the top 10, and I love that we can do that.
The Grammy nominations are capping off a banner year of accolades. What is the next big thing for Glee?
I don't know. Just when you think things are going to quiet down, something explosive happens. [Laughs]. After how exciting it was in the beginning, because the show's success was unexpected and the music sales and artists who we admire giving us music, I just think everyone, the cast and myself included, rolls with the punches. Everything gets us excited because none of it was expected.
Has there been any talk about performing on Grammy night?
We're talking to them. We would love to do "Don't Stop Believin'" in some capacity.
Perhaps uniting the cast with Journey?
That would be awesome. I haven't heard that, but I would love that.
End of article
Bolded comments are for emphasis. I have my fingers and toes crossed that maybe there is hope some characters will stay after 2012. Or is Ryan Murphy stringing me along?
The Grammy's LOVE to set up pairings, so I think the Glee/Journey performance is very possible. That would TOTALLY ROCK!!
gleekette
Q&A: 'Glee' Creator Ryan Murphy Reveals Plans for Rest of Season
'We will continue to use Journey songs,' says Murphy
by Erica Futterman
December 7, 2010
Tonight Glee caps off the first half of its second season with "A Very Glee Christmas," just six days after being nominated for two Grammys. We spoke to series creator Ryan Murphy about Glee scoring the first-ever Grammy nod for Journey's "Don't Stop Believin'," tackling the King of Pop in upcoming episodes and what's in store for Kurt and Blaine.
What do you think it is about "Don't Stop Believin'" that made it the song from Glee to get nominated for Best Pop Performance By A Duo Or Group With Vocals, out of everything else you've done this year?
For us, it was the first song that we did. It was the first single. It sold a million copies for us. It was in the pilot. I think it was the musical thing that got everybody talking about the show because the pilot aired in May [2009] and that song played all through the summer and sold all through the summer and was there in the fall when we went back in the air.
Also, I think it's an anthem and people have such nostalgic feelings about that song — I did — so to see it interpreted by a new group, particularly a group of kids, I think was emotional and stirring. The thing that I love most about that nomination was that "Don't Stop Believin'" has never seen any Grammy nominations. So the fact that we were paying tribute to Steve Perry and Journey and their talent when we were doing it, that felt like a full circle thing for us.
Have you heard from any of the guys in Journey since the nomination?
Since the nominations, no, but we did speak to Steve Perry [before]. He's stopped by the set, he's very supportive of the show, I think so much because the show is so much about arts education and he particularly really loves that and got that early on. I haven't heard from him [since the nominations] but I want to. I want to tell him how excited we are about it.
You guys have used a few Journey songs and, actually, in last week's episode poked fun at the fact that you used a lot of Journey songs.
[Laughs] Yes, we have used so many Journey songs — and we will continue to use Journey songs.
Looking at the other nominations for Best Pop Performance By A Duo Or Group With Vocals, two of the other songs are the original versions of songs that have been performed on Glee: Paramore's "The Only Exception" and Train's "Hey, Soul Sister."
I know, and looking at that group we're actually covering one of the other nominees: we're doing Maroon 5's "Misery." There's only one nominee in that category we haven't done, so that was funny to us.
What can you reveal about "Misery"?
"Misery" is a track that Blaine (Darren Criss) is going to do with the Warblers. I'm friendly with Adam Levine, and he texted me saying, 'I think it's time we get Maroon 5 on Glee.' I said, 'I agree, I think it'd be great.' I love that song, I love Adam's performance on that song, so we're doing that in an upcoming spring episode.
We just had Darren Criss in the office talking about what his hopes are for Blaine on the show — what can you say about how this will relate to his relationship with Kurt?
We haven't written how the script, so I don't know if it will be romantic or not. Darren has certainly blown up and become really sought after, and I love his interpretations of a lot of things. I thought his voice and Adam's voice would fit each other well — and indeed, they do. I like that the a cappella group can do all sorts of music, including rock, but I don't know what the story is going to be yet.
The other nominee in that category is Sade's "Babyfather."
That's the one we're not doing. [Laughs] Not yet, anyway. I love Sade, so knows?
After tonight's episode, you'll be off the air until February. What can fans look forward to when you return?
I always think it's good when the show goes off air and make people miss it a little bit. When we come back, we come back with our Super Bowl episode, which is a Sunday and then on Tuesday we go straight into another episode. So, when we come back there'll be two Glee episodes in one week with, I think, 12 songs total.
I'm excited about our spring season because we're going back to the earlier Glee episodes. We really love all of our characters and the soap opera aspects of the show and now that we're cooking we'll be featuring those great stories in the back half.
With regard to the Super Bowl episode, so far we've heard that "Thriller" will be featured —
Uh-huh.
— that there will be a big Sue Sylvester blowout and that Katie Couric will be guest-starring.
Mmmhmm.
Can you reveal anything about how "Thriller" will be worked into that episode?
It's top secret, I'm sworn to secrecy. I want people to be surprised with what we're doing. All I'll say about that is that we're putting a new spin on it that I think people will really like.
I heard that there's a mash-up involved.
Can't say. Isn't it sad that I won't comment? We're doing a couple Michael Jackson songs this year, that's the first one.
Which other ones are on tap?
I'm narrowing it down, I don't know which ones I like. We're not doing any more tribute episodes this year, but I want some old school ones.
I just read that Katie Couric will be doing "Tea For Two" on the Super Bowl episode.
No, that is not true. [Laughs]
So many rumors — which leads to last week's rumor that, come 2012, the current crop of New Directions will be graduating.
Yes, we're going to be doing something. I'm not going to reveal what it is because it's two years away, but it'll be something momentous happening that spring.
In the way of a graduation?
Yeah.
But not necessarily in the way of people leaving the show?
Maybe.
What have been your favorite Glee performances?
I love "Don't Stop Believin'" because it was the first song and I love how we paid tribute to the band. I love Gwyneth Paltrow's version of "Forget You." I think she was so great in it, and we paid tribute to Cee Lo, who we all love so I was thrilled for his Grammy nomination. And then I've always been a big Florence and the Machine fan and I love that we did "The Dog Days Are Over" in a really sweet, fun, uplifting way. It helped bolt their single into the top 10, and I love that we can do that.
The Grammy nominations are capping off a banner year of accolades. What is the next big thing for Glee?
I don't know. Just when you think things are going to quiet down, something explosive happens. [Laughs]. After how exciting it was in the beginning, because the show's success was unexpected and the music sales and artists who we admire giving us music, I just think everyone, the cast and myself included, rolls with the punches. Everything gets us excited because none of it was expected.
Has there been any talk about performing on Grammy night?
We're talking to them. We would love to do "Don't Stop Believin'" in some capacity.
Perhaps uniting the cast with Journey?
That would be awesome. I haven't heard that, but I would love that.
End of article
Bolded comments are for emphasis. I have my fingers and toes crossed that maybe there is hope some characters will stay after 2012. Or is Ryan Murphy stringing me along?
The Grammy's LOVE to set up pairings, so I think the Glee/Journey performance is very possible. That would TOTALLY ROCK!!
gleekette
"Its the Season of Kurt on 'Glee'"
http://www.nbclosangeles.com/entertainment/television/Its-The-Season-of-Kurt-on-Glee-110987674.html
by Jere Hester
November 29, 2010
Forget about the Britney silliness. The bullying storyline has brought out the best in the show – while setting up Tuesday night's singing showdown
The most memorable sound on "Glee" this season hasn't been the singing – it's been the repeated, unnerving slamming of Kurt against his locker by a homophobic bully apparently terrified of his own sexual feelings.
The very real violence – as opposed to the cartoonish Slushie facials delivered to the glee club members – has provided crucial grounding to a show trailed by chatter that it’s already in danger of pirouetting over the proverbial shark.
The plotline makes Tuesday night’s episode – the showdown between New Directions and the Warblers, the singing group at Kurt’s new private high school – a must-see for fans with a scenario that promises “Glee” at its best: high-stakes camp mixed with genuine emotion.
"Glee" bounces so quickly at times from the silly to the surreal to the serious that viewers might be left wondering at times how long the creators can keep up the song-and-dance act as the show nears the midpoint of its second season.
But for all the gimmicks (the bizarre Britney Spears tribute and the "Rocky Horror" salute) and stunt casting (Gwyneth Paltrow, John Stamos and Carol Burnett), the show’s sophomore effort, so far, can best be called The Season of Kurt.
And that’s a great thing.
The groundwork for Tuesday’s show was laid last week with a strong episode featuring Kurt’s dad and Finn’s mom – always heralds that a dose of reality is on the way.
Yes, they finally got married, being allowed some moments of joy after years of respective widowhood and the heart attack suffered by Kurt’s dad earlier this season in the epic “Grilled Cheesus” episode.
But they were also on hand to protect the teen from Dave Korofsky, the football player whose secret attraction to Kurt (Chris Colfer) has manifested as violent rage, death threats – and, in one stunning instance, a kiss. Thanks to some Emmy-worthy acting by Colfer, we’ve absorbed Kurt’s feeling of dread that lurks every moment he’s alone in the school hallway, anticipating another body-slam and more verbal venom.
The confrontation scene in Sue Sylvester’s office during played against stereotypes. We’ve already seen that Kurt’s blue-collar dad, Burt, understands him best and is his strongest defender. We met Korofsky’s father, who defied expectations by coming across as a rational, gentle person. Usually nasty Sue showed another side with her visceral reaction against bullying and expelled Korofsky, who was later reinstated by the school board.
With Kurt in fear for his life, his dad and new stepmom gave up their Hawaiian honeymoon to use the money to send him to the tony Dalton Academy, where they have a great glee club – and no tolerance for bullies. Kurt will be pitted against his former glee-mates in the key sectional competition.
The season’s subplot has played out amid the growing national conversation about bullying, spurred, in part, by the tragic suicide of a Rutgers University freshman who killed himself after two students allegedly streamed video of him in a romantic encounter with a man.
Colfer is among the notables who since have taped spots for The Trevor Project, which runs a suicide hotline for “gay and questioning youth.”
"I know what it's like to be bullied and teased every single day,” Colfer says in the video. “You are not alone....I promise, it gets so much better."
“Glee” is very much about high school’s travails, most played for laughs and others occasionally played dead serious. The bullying storyline is another sign that character development is more important to the show's ultimate success than, say, fantasy sequences featuring Spears.
The program’s constant shifts in tone are part of the fun – and part of the challenge of being a “Glee” fan. That means learning to live with the misfires – Will Schuester kissing Coach Beiste came off as more weird than sweet, ditto for Sue’s plan for a wedding (to herself) – because a new Grilled Cheesus could be waiting in the cafeteria at William McKinley High.
We’re far from ready to slam the locker shut on “Glee.”
End of article
I think this writer has written other articles about Glee. I like the funny and the serious parts of Glee. I enjoyed the fluff of the Britney episode. I think Glee has to keep the fun going for the audience to continue tuning in. The serious stuff is very important, but I think the majority of Glee fans watch for the comedy.
gleekette
by Jere Hester
November 29, 2010
Forget about the Britney silliness. The bullying storyline has brought out the best in the show – while setting up Tuesday night's singing showdown
The most memorable sound on "Glee" this season hasn't been the singing – it's been the repeated, unnerving slamming of Kurt against his locker by a homophobic bully apparently terrified of his own sexual feelings.
The very real violence – as opposed to the cartoonish Slushie facials delivered to the glee club members – has provided crucial grounding to a show trailed by chatter that it’s already in danger of pirouetting over the proverbial shark.
The plotline makes Tuesday night’s episode – the showdown between New Directions and the Warblers, the singing group at Kurt’s new private high school – a must-see for fans with a scenario that promises “Glee” at its best: high-stakes camp mixed with genuine emotion.
"Glee" bounces so quickly at times from the silly to the surreal to the serious that viewers might be left wondering at times how long the creators can keep up the song-and-dance act as the show nears the midpoint of its second season.
But for all the gimmicks (the bizarre Britney Spears tribute and the "Rocky Horror" salute) and stunt casting (Gwyneth Paltrow, John Stamos and Carol Burnett), the show’s sophomore effort, so far, can best be called The Season of Kurt.
And that’s a great thing.
The groundwork for Tuesday’s show was laid last week with a strong episode featuring Kurt’s dad and Finn’s mom – always heralds that a dose of reality is on the way.
Yes, they finally got married, being allowed some moments of joy after years of respective widowhood and the heart attack suffered by Kurt’s dad earlier this season in the epic “Grilled Cheesus” episode.
But they were also on hand to protect the teen from Dave Korofsky, the football player whose secret attraction to Kurt (Chris Colfer) has manifested as violent rage, death threats – and, in one stunning instance, a kiss. Thanks to some Emmy-worthy acting by Colfer, we’ve absorbed Kurt’s feeling of dread that lurks every moment he’s alone in the school hallway, anticipating another body-slam and more verbal venom.
The confrontation scene in Sue Sylvester’s office during played against stereotypes. We’ve already seen that Kurt’s blue-collar dad, Burt, understands him best and is his strongest defender. We met Korofsky’s father, who defied expectations by coming across as a rational, gentle person. Usually nasty Sue showed another side with her visceral reaction against bullying and expelled Korofsky, who was later reinstated by the school board.
With Kurt in fear for his life, his dad and new stepmom gave up their Hawaiian honeymoon to use the money to send him to the tony Dalton Academy, where they have a great glee club – and no tolerance for bullies. Kurt will be pitted against his former glee-mates in the key sectional competition.
The season’s subplot has played out amid the growing national conversation about bullying, spurred, in part, by the tragic suicide of a Rutgers University freshman who killed himself after two students allegedly streamed video of him in a romantic encounter with a man.
Colfer is among the notables who since have taped spots for The Trevor Project, which runs a suicide hotline for “gay and questioning youth.”
"I know what it's like to be bullied and teased every single day,” Colfer says in the video. “You are not alone....I promise, it gets so much better."
“Glee” is very much about high school’s travails, most played for laughs and others occasionally played dead serious. The bullying storyline is another sign that character development is more important to the show's ultimate success than, say, fantasy sequences featuring Spears.
The program’s constant shifts in tone are part of the fun – and part of the challenge of being a “Glee” fan. That means learning to live with the misfires – Will Schuester kissing Coach Beiste came off as more weird than sweet, ditto for Sue’s plan for a wedding (to herself) – because a new Grilled Cheesus could be waiting in the cafeteria at William McKinley High.
We’re far from ready to slam the locker shut on “Glee.”
End of article
I think this writer has written other articles about Glee. I like the funny and the serious parts of Glee. I enjoyed the fluff of the Britney episode. I think Glee has to keep the fun going for the audience to continue tuning in. The serious stuff is very important, but I think the majority of Glee fans watch for the comedy.
gleekette
NY Post Chris Colfer Interview
http://www.nypost.com/p/blogs/popwrap/chris_colfer_0Pf142XX9xD8xFraFZr81I
"Chris Colfer: I eat Kurt's drama up like candy"
by Jarett Wieselman
November 30, 2010
By this point, I no longer have to cite reasons why Chris Colfer continues to be the most emotionally resonant part of "Glee" -- he's got an Emmy nomination and a bucket of my tears that speak for themselves. But after last week's tear-fest, it looks like we're headed for happier Hummel pastures now that Kurt has left New Directions to join (boyfriend?) Blaine as one of Dalton Academy's Warblers.
But the actor is holding out hope that McKinley turns its hallways into a safe space sooner rather than later since New Directions without Kurt isn't the same glee club we fell in love with many moons ago.
In anticipation of 2010's penultimate episode, I rang up Chris to reflect on the issue-filled season and find out what lies ahead for Kurt & Blaine.
PopWrap: When you were originally hired to star on this musical comedy did you have any idea that there'd be so much drama involved?
Chris Colfer: [laughs] No, not at all – in the original script Kurt was such a small factor, so I never anticipated this at all. But you know, I really enjoy the drama. I eat it up like candy. So every time I see that Kurt breaks down I think “YES” because I love it so much. Those scenes definitely take it out of you.
PW: What's your replenishment secret after a long day of filming emotional scenes?
Chris: Let me tell you, frozen yogurt helps. Or a cookie. They always have cookies on set and I will eat all of them if it’s a particularly dramatic scene.
PW: A lot of Kurt's drama this year has been a result of bullying, as someone who has very vocally talked about their own experiences with that growing up, how important was tackling this to you?
Chris: Oh, very. It’s interesting that this issue had never been brought up before since it’s an issue that’s been around since the 50’s. It’s kind of unreal that we’re only talking about it now. For me, it’s all about bringing truth to the work and even though Kurt was the victim, I didn’t want him to be so victimized by Karofsky. It’s a terrible situation but I’m glad we’re talking about it.
PW: Karofsky's return to McKinley saw Kurt defect to Dalton Academy, what was your first thought when Ryan Murphy laid that out for you?
Chris: I was terrified that he was writing me off the show [laughs] “Oh god, am I really that bad? Sorry! I can improve, swear!” No, but I really love it. I love exploring another tolerant world and am happy that Kurt found acceptance somewhere. It kinda goes to show that if the world you live in doesn’t make sense, find one that does. But I really hope McKinley becomes more accepting so he can come back.
PW: Now Kurt is with The Warblers, who performed that incredible rendition of "Teenage Dream." Did you have any inkling that song was going to blow up like it has?
Chris: Oh, absolutely. They played a demo for us long before Darren [Criss] had been cast and I got chills the first time I heard it. That is one of the best songs we’ve ever done and I was so excited for everyone to see it. I knew it would be huge, I listen to it almost every day.
PW: I know that everyone is trying to find out if Blaine will be Kurt's boyfriend, but what I'm wondering is if you feel like Kurt is already acting like Blaine's his boyfriend.
Chris: I think Kurt is so lonely and just wants someone to connect to. I think the closest he can get to that is a boyfriend, so I think he’s trying to find that in any way shape or form possible. But we haven’t filmed anything where Blaine becomes Kurt’s boyfriend yet, so who knows – it could end up being someone else.
PW: Well, a lot of people are looking to next week's "Baby It's Cold Outside" duet as an indication of where their relationship is going. Are you excited for people to see that performance?
Chris: I’m anxious to see how people respond to it because it’s one of the first classic duets that has been sung by two guys ... if you get my drift. I will be interested to hear the next day what people think. Over Thanksgiving break I had to convince my grandmother it was actually me on the track. She said, “oh, that makes the song a little different.” And it certainly does [laughs].
PW: When we spoke last you talked about how much "Glee" was pushing you vocally. Tonight Kurt tackles "Don't Cry For Me Argentina," that's kind of the ultimate vocal challenge, no?
Chris: It is, but I’m always compared next to Lea [Michele], which sucks.
PW: I think you more than hold your own.
Chris: I disagree and I get comments on Twitter that do as well, saying, “Oh Lea sang that better.” I always think, “of course she sings it better, she’s a girl!”
PW: A lot of people have been surprised by how much Rachel & Kurt's relationship has grown this season -- have you?
Chris: I think like it or not, Rachel and Kurt are very much alike. And for him the sparks was when she told him, “just because you’re lonely doesn’t mean you’re alone.” They just need to come to terms with it and be friends [laughs]. They definitely have each other’s back …when they’re not trying to stab it!
PW: Both Lea and Matt [Morrison] are working on solo CD's -- would you ever want to release one?
Chris: You know, I love to sing when there’s a story and emotion behind it, so I think stage or film is the way to go. I’ve never really been interested in becoming a recording artist. Also, the way I sing isn’t really valued these days – I’ve got a more traditional theater voice, and these days it’s all about the runs. I don’t see myself in that world ... but everyone seems to want me to. Who knows, if I end up doing that it’ll be for the fans, not me.
PW: The fans have really turned this show into juggernaut -- seeing as how "in it" you all are, can you remove yourself from that to recognize how massive it's become?
Chris: You know, we’re so involved in it and it’s so much a part of our day to day lives, so I don't think we’ll never fully comprehend just how huge it is. It’s already so much of who we are, I don’t think we’ll be able to know how big it is in other people’s lives. But I'm so thrilled that people love it. That's the best part.
End of article
Simply another great interview, but I also thought his comments about recording a cd were interesting. I agree with him; his voice is unfortunately not "in fashion" with current pop music trends. But he could record a cd of show tunes at some point in his career. Not now, though.
gleekette
"Chris Colfer: I eat Kurt's drama up like candy"
by Jarett Wieselman
November 30, 2010
By this point, I no longer have to cite reasons why Chris Colfer continues to be the most emotionally resonant part of "Glee" -- he's got an Emmy nomination and a bucket of my tears that speak for themselves. But after last week's tear-fest, it looks like we're headed for happier Hummel pastures now that Kurt has left New Directions to join (boyfriend?) Blaine as one of Dalton Academy's Warblers.
But the actor is holding out hope that McKinley turns its hallways into a safe space sooner rather than later since New Directions without Kurt isn't the same glee club we fell in love with many moons ago.
In anticipation of 2010's penultimate episode, I rang up Chris to reflect on the issue-filled season and find out what lies ahead for Kurt & Blaine.
PopWrap: When you were originally hired to star on this musical comedy did you have any idea that there'd be so much drama involved?
Chris Colfer: [laughs] No, not at all – in the original script Kurt was such a small factor, so I never anticipated this at all. But you know, I really enjoy the drama. I eat it up like candy. So every time I see that Kurt breaks down I think “YES” because I love it so much. Those scenes definitely take it out of you.
PW: What's your replenishment secret after a long day of filming emotional scenes?
Chris: Let me tell you, frozen yogurt helps. Or a cookie. They always have cookies on set and I will eat all of them if it’s a particularly dramatic scene.
PW: A lot of Kurt's drama this year has been a result of bullying, as someone who has very vocally talked about their own experiences with that growing up, how important was tackling this to you?
Chris: Oh, very. It’s interesting that this issue had never been brought up before since it’s an issue that’s been around since the 50’s. It’s kind of unreal that we’re only talking about it now. For me, it’s all about bringing truth to the work and even though Kurt was the victim, I didn’t want him to be so victimized by Karofsky. It’s a terrible situation but I’m glad we’re talking about it.
PW: Karofsky's return to McKinley saw Kurt defect to Dalton Academy, what was your first thought when Ryan Murphy laid that out for you?
Chris: I was terrified that he was writing me off the show [laughs] “Oh god, am I really that bad? Sorry! I can improve, swear!” No, but I really love it. I love exploring another tolerant world and am happy that Kurt found acceptance somewhere. It kinda goes to show that if the world you live in doesn’t make sense, find one that does. But I really hope McKinley becomes more accepting so he can come back.
PW: Now Kurt is with The Warblers, who performed that incredible rendition of "Teenage Dream." Did you have any inkling that song was going to blow up like it has?
Chris: Oh, absolutely. They played a demo for us long before Darren [Criss] had been cast and I got chills the first time I heard it. That is one of the best songs we’ve ever done and I was so excited for everyone to see it. I knew it would be huge, I listen to it almost every day.
PW: I know that everyone is trying to find out if Blaine will be Kurt's boyfriend, but what I'm wondering is if you feel like Kurt is already acting like Blaine's his boyfriend.
Chris: I think Kurt is so lonely and just wants someone to connect to. I think the closest he can get to that is a boyfriend, so I think he’s trying to find that in any way shape or form possible. But we haven’t filmed anything where Blaine becomes Kurt’s boyfriend yet, so who knows – it could end up being someone else.
PW: Well, a lot of people are looking to next week's "Baby It's Cold Outside" duet as an indication of where their relationship is going. Are you excited for people to see that performance?
Chris: I’m anxious to see how people respond to it because it’s one of the first classic duets that has been sung by two guys ... if you get my drift. I will be interested to hear the next day what people think. Over Thanksgiving break I had to convince my grandmother it was actually me on the track. She said, “oh, that makes the song a little different.” And it certainly does [laughs].
PW: When we spoke last you talked about how much "Glee" was pushing you vocally. Tonight Kurt tackles "Don't Cry For Me Argentina," that's kind of the ultimate vocal challenge, no?
Chris: It is, but I’m always compared next to Lea [Michele], which sucks.
PW: I think you more than hold your own.
Chris: I disagree and I get comments on Twitter that do as well, saying, “Oh Lea sang that better.” I always think, “of course she sings it better, she’s a girl!”
PW: A lot of people have been surprised by how much Rachel & Kurt's relationship has grown this season -- have you?
Chris: I think like it or not, Rachel and Kurt are very much alike. And for him the sparks was when she told him, “just because you’re lonely doesn’t mean you’re alone.” They just need to come to terms with it and be friends [laughs]. They definitely have each other’s back …when they’re not trying to stab it!
PW: Both Lea and Matt [Morrison] are working on solo CD's -- would you ever want to release one?
Chris: You know, I love to sing when there’s a story and emotion behind it, so I think stage or film is the way to go. I’ve never really been interested in becoming a recording artist. Also, the way I sing isn’t really valued these days – I’ve got a more traditional theater voice, and these days it’s all about the runs. I don’t see myself in that world ... but everyone seems to want me to. Who knows, if I end up doing that it’ll be for the fans, not me.
PW: The fans have really turned this show into juggernaut -- seeing as how "in it" you all are, can you remove yourself from that to recognize how massive it's become?
Chris: You know, we’re so involved in it and it’s so much a part of our day to day lives, so I don't think we’ll never fully comprehend just how huge it is. It’s already so much of who we are, I don’t think we’ll be able to know how big it is in other people’s lives. But I'm so thrilled that people love it. That's the best part.
End of article
Simply another great interview, but I also thought his comments about recording a cd were interesting. I agree with him; his voice is unfortunately not "in fashion" with current pop music trends. But he could record a cd of show tunes at some point in his career. Not now, though.
gleekette
Wednesday, December 1, 2010
BIG News
http://www.associatedcontent.com/article/6075042/glee_to_drop_cast_members_who_grow.html?cat=9
Gleeks, don't get too attached to your current favorites, because Ryan Murphy plans to age them out when they grow too old for "Glee."
Creator Ryan Murphy wants to keep "Glee" a show about fictional high school, where students graduate and are replaced with new faces every year.
As Murphy explains (via The Herald Sun), "There's nothing more depressing than a high schooler with a bald spot." (Ouch!)
Murphy has proposed 2012 as a time frame for cast exits. I'm thinking Cory Monteith and Mark Salling are prime candidates for axing, as they play high school students despite being in their late 20s. Looks like Matthew Morrison, Jayma Mays, Jane Lynch, and Dot Jones have nothing to worry about.
Too Old For "Glee?" Unpalatable Alternatives
On the one hand, it seems a bit harsh in this youth-obsessed culture to put actors out to pasture when they grow too old. This is why so many former child stars grow to be dysfunctional adults.
On the other hand, aging characters out keeps "Glee" at least somewhat realistic. How many high school shows have jumped the shark when the cast went to college? "90210?" "Dawson's Creek?" And don't get me started on "Saved By the Bell: The College Years."
How realistic is it that every major cast member ends up at the same college? Andrea turned down Yale to go to California University on "90120," and Topenga turned down Yale to go be with Cory on "Boy Meets World." Really?? And Dawson dropping out of USC was another Jump-the-Shark moment.
Of course, another equally unpalatable alternative is to just keep these characters in high school indefinitely. On cartoon shows, it's possible to keep these characters young. Those "South Park" kids will probably always be in elementary school, as will Bart and Lisa Simpson. Yet on a show like "Glee," it just doesn't make sense to have 30-year-old actors playing high school students.
A third option would be to go the Disney Channel route and cancel shows after three seasons. Teen stars like Miley Cyrus, Demi Lavato, and Selena Gomez know that Disney is just a platform, and they can't remain in the box forever. Yet I don't think Ryan Murphy would want to cancel such a successful show as "Glee."
Too Old for "Glee?" Better Alternatives
I really like Murphy's idea of graduating cast members who grow too old for high school roles. Sure, I will miss them on "Glee," but there are other ways to bring my favorites back, either by bringing someone back as a teacher's aide, or creating spin-offs on a few of the graduated characters.
And other cast members may find even greater success once they leave "Glee." Kevin McHale might like to try a role where he can actually dance. Amber Riley would do well in a "Dreamgirls" revival-type production. Dianna Agron seems to be making her way into films. And Lea Michele found success on Broadway long before she was on "Glee."
As much as I would miss this current cast, aging out the cast members would remind us that there is life outside of high school.
End of article
I almost called this shocking news, but honestly, I'm not shocked, just really sad at the moment. Sad for the cast and the fans. It does help to know we get at least one and a half more seasons, if he means the cast will exit at the conclusion of the 2012 season.
His decision does make a lot of sense. Mark, Harry, and Cory will all be around thirty years old by then. But who else will leave? How far in advance will we find out who is going and who is staying? By 2012 the entire cast should exit, as they will all have been in high school for four years plus, and all of them are already supposed to be juniors and seniors now. But actors like Chris and Kevin will still be in their early twenties, and if their work schedule doesn't cause premature aging, they should still look young enough to play high school kids. If Charice stays on the show, she will only be twenty years old in two years.
As I said in an earlier post, there would be ways for some of the current students to stay on the show even after they graduate. But actually I really like the idea of a spin off. My dream would be for Kurt, Rachel, and Artie to move to New York and we would follow the trials and tribulations of their quest to hit the big time. Or maybe they would all be accepted to the same college and join a university glee club. I think Rachel and Kurt on a show together would be KILLER.
If I'm faced with the option of either the show ending or finding new characters, I would definitely vote for new faces. But right now I cannot imagine Glee without the twelve students we have now. It will be incredibly sad to see them go. I don't know what I'll do when I have to say goodbye to Kurt or Artie. I don't even want to think about it. I can only imagine what the actors are thinking. They have invested so much time and energy into this show, and it means so much to all of them. And they know how much the show means to the fans.
First I have to think of eight weeks of no new episodes, and now this. Yes, I am terribly obsessed. And now I'm depressed... :(
gleekette
Gleeks, don't get too attached to your current favorites, because Ryan Murphy plans to age them out when they grow too old for "Glee."
Creator Ryan Murphy wants to keep "Glee" a show about fictional high school, where students graduate and are replaced with new faces every year.
As Murphy explains (via The Herald Sun), "There's nothing more depressing than a high schooler with a bald spot." (Ouch!)
Murphy has proposed 2012 as a time frame for cast exits. I'm thinking Cory Monteith and Mark Salling are prime candidates for axing, as they play high school students despite being in their late 20s. Looks like Matthew Morrison, Jayma Mays, Jane Lynch, and Dot Jones have nothing to worry about.
Too Old For "Glee?" Unpalatable Alternatives
On the one hand, it seems a bit harsh in this youth-obsessed culture to put actors out to pasture when they grow too old. This is why so many former child stars grow to be dysfunctional adults.
On the other hand, aging characters out keeps "Glee" at least somewhat realistic. How many high school shows have jumped the shark when the cast went to college? "90210?" "Dawson's Creek?" And don't get me started on "Saved By the Bell: The College Years."
How realistic is it that every major cast member ends up at the same college? Andrea turned down Yale to go to California University on "90120," and Topenga turned down Yale to go be with Cory on "Boy Meets World." Really?? And Dawson dropping out of USC was another Jump-the-Shark moment.
Of course, another equally unpalatable alternative is to just keep these characters in high school indefinitely. On cartoon shows, it's possible to keep these characters young. Those "South Park" kids will probably always be in elementary school, as will Bart and Lisa Simpson. Yet on a show like "Glee," it just doesn't make sense to have 30-year-old actors playing high school students.
A third option would be to go the Disney Channel route and cancel shows after three seasons. Teen stars like Miley Cyrus, Demi Lavato, and Selena Gomez know that Disney is just a platform, and they can't remain in the box forever. Yet I don't think Ryan Murphy would want to cancel such a successful show as "Glee."
Too Old for "Glee?" Better Alternatives
I really like Murphy's idea of graduating cast members who grow too old for high school roles. Sure, I will miss them on "Glee," but there are other ways to bring my favorites back, either by bringing someone back as a teacher's aide, or creating spin-offs on a few of the graduated characters.
And other cast members may find even greater success once they leave "Glee." Kevin McHale might like to try a role where he can actually dance. Amber Riley would do well in a "Dreamgirls" revival-type production. Dianna Agron seems to be making her way into films. And Lea Michele found success on Broadway long before she was on "Glee."
As much as I would miss this current cast, aging out the cast members would remind us that there is life outside of high school.
End of article
I almost called this shocking news, but honestly, I'm not shocked, just really sad at the moment. Sad for the cast and the fans. It does help to know we get at least one and a half more seasons, if he means the cast will exit at the conclusion of the 2012 season.
His decision does make a lot of sense. Mark, Harry, and Cory will all be around thirty years old by then. But who else will leave? How far in advance will we find out who is going and who is staying? By 2012 the entire cast should exit, as they will all have been in high school for four years plus, and all of them are already supposed to be juniors and seniors now. But actors like Chris and Kevin will still be in their early twenties, and if their work schedule doesn't cause premature aging, they should still look young enough to play high school kids. If Charice stays on the show, she will only be twenty years old in two years.
As I said in an earlier post, there would be ways for some of the current students to stay on the show even after they graduate. But actually I really like the idea of a spin off. My dream would be for Kurt, Rachel, and Artie to move to New York and we would follow the trials and tribulations of their quest to hit the big time. Or maybe they would all be accepted to the same college and join a university glee club. I think Rachel and Kurt on a show together would be KILLER.
If I'm faced with the option of either the show ending or finding new characters, I would definitely vote for new faces. But right now I cannot imagine Glee without the twelve students we have now. It will be incredibly sad to see them go. I don't know what I'll do when I have to say goodbye to Kurt or Artie. I don't even want to think about it. I can only imagine what the actors are thinking. They have invested so much time and energy into this show, and it means so much to all of them. And they know how much the show means to the fans.
First I have to think of eight weeks of no new episodes, and now this. Yes, I am terribly obsessed. And now I'm depressed... :(
gleekette
Tuesday, November 30, 2010
The Backlash Against Kurt
http://www.afterelton.com/TV/2010/12/haters-bullying-glee-kurt-hummel
Why are Hater's Bullying 'Glee's' Kurt?
If the first season of Fox's hit show Glee kept Kurt Hummel in the background for some, this season’s most recent episodes have brought him front and center. In the culmination of a story arc on bullying spanning several episodes, the latest Glee rallied the cast in defense of our embattled hero: the girls unleashed their boyfriends on Dave the bully, Mike Chang and Sam roughed Dave up, Sue Sylvester expelled him, while Finn and the rest of the gang lifted Kurt’s spirits with song.
All in all, it was pretty amazing television and Chris Colfer continued to prove himself one of the show’s breakout stars.
So why did the episode seem to start a trickle of haterade from the blogosphere, complete with calls that the show had “jumped the shark” and lost its mojo?
The complaints about Glee have been varied and not all crazy, and nearly all of them implicate the show’s Kurt-heavy episode arc as symptomatic of bigger problems.
Brian Moylan over at Gawker blames Kurt explicitly, saying the show has “canonized” our bullied gay teen and that Kurt is still a pretty cool and strong guy, but we don’t have to keep going on and on about it. Constantly extolling his virtues (and there are many) is making him the most unlikable person on the show.”
TV Guide takes the Kurt saga as evidence the show has, somehow, lost focus: “This show used to be about an idealistic teacher trying to help a group of misfits find their voice through show choir. Now it's all about a kid who is bullied at a school where there are a few less-important misfits in a show choir that never seems to rehearse for the upcoming sectionals, and an annoying teacher with the worst boundaries on the planet. The glee has given way to gloom.”
Other critics, like The Vancouver Sun’s Shelley Fralic, expand the critique to one about the tone of the show: from campy and fun to sappy and overwrought. Writes Fralic, “How did the Fox network singing and dancing Glee club sensation of a series … become so formulaic and cringe-worthy, so preachy and unwatchable that even its campiness can't save it?”
These arguments are not entirely without merit and a worrying drop of 20% in last week’s ratings indicate viewers might be tuning out as well. It was, however a holiday week. People were headed home and perhaps many couldn’t make it to the TV – except to watch the older-skewing Dancing with Stars, which followed the Glee episode and delivered stellar ratings.
Fans of other campy network primetime shows – from Desperate Housewives and Ugly Betty to Arrested Development and 30 Rock – know how hard it is to sustain the sexy irony and detachment camp demands.
Shows can either go too far (Housewives), which eventually bores viewers; maintain their edge (Arrested Development), which never gains viewers; or delve into conventional sap (Ugly Betty), which irks your fan base. (PS – I watched all those shows to the end, thank you very much!)
The current Kurt storyline is about Glee “getting real:" bullying is no fun and games. Since the show has many younger viewers, perhaps creator Ryan Murphy and his writers feel a responsibility to show an emboldened victim (Kurt) and a loving supporting environment – hence the Kurt lovefest at the wedding.
Unfortunately, this means that Sue Sylvester has to be a real person for five minutes and protest the bully’s readmittance into the school. It means Kurt has to do something drastic like leave for a more tolerant institution (I don’t suspect he’ll gone long) and for the rest of the cast to literally sing his praises.
And critics like Moylan and Fralic don’t find that much fun to watch.
But the most unsettling part of the Glee backlash, if it is in fact happening, is how much blame Kurt is getting for the show’s apparent slide.
Is there such a thing as too much Kurt? AfterElton readers no doubt support the turn the narrative has taken in the last few weeks, with most episodes delivering a strong Kurt storyline. But perhaps for some viewers there has been too much Kurt.
Glee still is network primetime after all. What’s more: it’s the most popular scripted show on television. The week before its ratings nosedive, Glee was bested only by football and the Country Music Awards, beating out Big Bang Theory, Dancing with the Stars and everything else.
So the stakes are high and the audience is big – not “Will & Grace big,” but big. Murphy is being brave by giving us so much Kurt. Still, it’s an ensemble, and you could argue he has a duty to showcase everyone, not just Kurt. On the other hand, Rachel and Finn (who actually haven’t had much to do this season) did have their turn in the spotlight for much of the first season.
Nonetheless, something more is going on here. Feelings of Kurt-overload are really driven, I believe, by the fact that we haven’t seen – or rarely see – a character like Kurt get so much earnest attention in network primetime. Jack on Will & Grace was comic relief. Cam and Mitchell on Modern Family are part of an ensemble cast that keeps the spotlight on all the characters pretty equally.
And none of them, I would argue, are flamboyantly gay as Kurt.
Kurt is fashionable – he has the best outfits on the show, by far. He can sing in a female register. He likes all the gay divas, from Barbra to Gaga. He’s a “flame,” to use an outdated gay put-down.
Don’t get me wrong: Kurt is also a fully realized character. He’s deep, as evidenced by the fantastic “religion episode,” where he refused to give in to religious pressure and renounce atheism (a brave decision by Murphy).
But he’s also the sort of character character we’re used to laughing at before cutting to the straight couple that is the focus of the story, which some would say happened often in Glee’s first season. On any other show, Kurt would be the sassy gay who walks into a room, quips about tops and bottoms, and scurries off to some gay bar we’ll never walk into.
But Glee is pushing us to deal with Kurt on a real level, with the issues that gay teens like Kurt – like us! – have to deal with at some point in our lives. And the show is justified in taking its time.
After all, when the President, Secretary of State, the state of New Jersey and half of Hollywood’s celebrities decide bullying is a serious problem, shouldn’t TV’s most popular show, with TV’s most popular gay character, be allowed to do the same?
Network primetime rarely gives us gay characters with actual stories, even less often in one-hour story arcs across several episodes. If there really is a backlash brewing against Glee as it tries to push these boundaries, it’s sad and just a bit short-sighted.
End of article
This is me applauding this article. I also read through the three pages of comments yesterday, and there were some very passionate, thoughtful responses. I think the main thing I would want to say here is that I actually can understand the fans that are frustrated because their favorite character has not had a major storyline this season. The fan base that I think has the most reason to gripe is the Mercedes camp. She has still been featured prominently in song, especially in the "Grilled Cheesus" episode when she had two solos. But she has not had her own storyline this season, except her tots campaign two episodes ago. Mercedes is the only New Directions member besides Kurt who has never had a significant other. Okay, she and Puck sort of dated in season one, but I don't count that. He was using her for popularity.
Unfortunately we live in a very impatient society. We live our lives in sound bites and thirty second recaps. We get frustrated when we have to wait for something - a light to turn green, our cofee to be ready at Starbucks, a television show to come back from commercial. We don't want the whole story. We want just the headlines, and then we want to move on to something else. And if we don't like something, we want it altered or dismissed - immediately.
Bullying is an important, relevant, timely issue. Lots of people are talking about it and trying to do something about it. But its a tough cookie. There are no simple solutions, no quick fix. Its not fun to talk about and its not fun to watch.
Television episodes are filmed weeks to months in advance. If an audience grows tired of a particular storyline, not much can be done about that. The episodes are already completed; the story has to play out. I just wish people would have a little more patience. The show is an ensemble cast, and there are multiple storylines in each episode. I can't promise that a character like Tina or Santana will ever get as much attention as Rachel or Kurt. But they will have their moments to shine.
I do NOT believe that everyone who is sick of Kurt or tired of the bullying storyline is homophobic. However, I think homophobia IS a factor in the backlash. As the author asserts, the television audience has never been exposed to such a complex gay character in the forefront of a major television show. And he's a teenager to boot. What I view as a gift and a privilege, to watch this young man's journey influence the lives of so many, young and old, male and female, gay and straight, has the opposite effect on some. The character of Kurt makes some people uncomfortable, and other people irritable. Its a very very difficult situation. I don't want to see Ryan Murphy and crew cave to public pressure. But I also don't want the show to die because too many viewers get frustrated and stop watching. And just as importantly, I don't want to see the character of Kurt ruined in the process. I of course don't feel that the bullying storyline is making him unlikeable, but obviously some people do feel that way. Its an unfortunate consequence of our increasing reliance on social media for our information and news that if enough people write that Glee is jumping the shark, it could become a self-fulfilling prophecy. Ratings are lower than they were at the beginning of the season, but the show continues to win its time slot in the key 18 - 49 demographic.
"The reports of my death have been greatly exaggerated." Mark Twain
gleekette
Why are Hater's Bullying 'Glee's' Kurt?
If the first season of Fox's hit show Glee kept Kurt Hummel in the background for some, this season’s most recent episodes have brought him front and center. In the culmination of a story arc on bullying spanning several episodes, the latest Glee rallied the cast in defense of our embattled hero: the girls unleashed their boyfriends on Dave the bully, Mike Chang and Sam roughed Dave up, Sue Sylvester expelled him, while Finn and the rest of the gang lifted Kurt’s spirits with song.
All in all, it was pretty amazing television and Chris Colfer continued to prove himself one of the show’s breakout stars.
So why did the episode seem to start a trickle of haterade from the blogosphere, complete with calls that the show had “jumped the shark” and lost its mojo?
The complaints about Glee have been varied and not all crazy, and nearly all of them implicate the show’s Kurt-heavy episode arc as symptomatic of bigger problems.
Brian Moylan over at Gawker blames Kurt explicitly, saying the show has “canonized” our bullied gay teen and that Kurt is still a pretty cool and strong guy, but we don’t have to keep going on and on about it. Constantly extolling his virtues (and there are many) is making him the most unlikable person on the show.”
TV Guide takes the Kurt saga as evidence the show has, somehow, lost focus: “This show used to be about an idealistic teacher trying to help a group of misfits find their voice through show choir. Now it's all about a kid who is bullied at a school where there are a few less-important misfits in a show choir that never seems to rehearse for the upcoming sectionals, and an annoying teacher with the worst boundaries on the planet. The glee has given way to gloom.”
Other critics, like The Vancouver Sun’s Shelley Fralic, expand the critique to one about the tone of the show: from campy and fun to sappy and overwrought. Writes Fralic, “How did the Fox network singing and dancing Glee club sensation of a series … become so formulaic and cringe-worthy, so preachy and unwatchable that even its campiness can't save it?”
These arguments are not entirely without merit and a worrying drop of 20% in last week’s ratings indicate viewers might be tuning out as well. It was, however a holiday week. People were headed home and perhaps many couldn’t make it to the TV – except to watch the older-skewing Dancing with Stars, which followed the Glee episode and delivered stellar ratings.
Fans of other campy network primetime shows – from Desperate Housewives and Ugly Betty to Arrested Development and 30 Rock – know how hard it is to sustain the sexy irony and detachment camp demands.
Shows can either go too far (Housewives), which eventually bores viewers; maintain their edge (Arrested Development), which never gains viewers; or delve into conventional sap (Ugly Betty), which irks your fan base. (PS – I watched all those shows to the end, thank you very much!)
The current Kurt storyline is about Glee “getting real:" bullying is no fun and games. Since the show has many younger viewers, perhaps creator Ryan Murphy and his writers feel a responsibility to show an emboldened victim (Kurt) and a loving supporting environment – hence the Kurt lovefest at the wedding.
Unfortunately, this means that Sue Sylvester has to be a real person for five minutes and protest the bully’s readmittance into the school. It means Kurt has to do something drastic like leave for a more tolerant institution (I don’t suspect he’ll gone long) and for the rest of the cast to literally sing his praises.
And critics like Moylan and Fralic don’t find that much fun to watch.
But the most unsettling part of the Glee backlash, if it is in fact happening, is how much blame Kurt is getting for the show’s apparent slide.
Is there such a thing as too much Kurt? AfterElton readers no doubt support the turn the narrative has taken in the last few weeks, with most episodes delivering a strong Kurt storyline. But perhaps for some viewers there has been too much Kurt.
Glee still is network primetime after all. What’s more: it’s the most popular scripted show on television. The week before its ratings nosedive, Glee was bested only by football and the Country Music Awards, beating out Big Bang Theory, Dancing with the Stars and everything else.
So the stakes are high and the audience is big – not “Will & Grace big,” but big. Murphy is being brave by giving us so much Kurt. Still, it’s an ensemble, and you could argue he has a duty to showcase everyone, not just Kurt. On the other hand, Rachel and Finn (who actually haven’t had much to do this season) did have their turn in the spotlight for much of the first season.
Nonetheless, something more is going on here. Feelings of Kurt-overload are really driven, I believe, by the fact that we haven’t seen – or rarely see – a character like Kurt get so much earnest attention in network primetime. Jack on Will & Grace was comic relief. Cam and Mitchell on Modern Family are part of an ensemble cast that keeps the spotlight on all the characters pretty equally.
And none of them, I would argue, are flamboyantly gay as Kurt.
Kurt is fashionable – he has the best outfits on the show, by far. He can sing in a female register. He likes all the gay divas, from Barbra to Gaga. He’s a “flame,” to use an outdated gay put-down.
Don’t get me wrong: Kurt is also a fully realized character. He’s deep, as evidenced by the fantastic “religion episode,” where he refused to give in to religious pressure and renounce atheism (a brave decision by Murphy).
But he’s also the sort of character character we’re used to laughing at before cutting to the straight couple that is the focus of the story, which some would say happened often in Glee’s first season. On any other show, Kurt would be the sassy gay who walks into a room, quips about tops and bottoms, and scurries off to some gay bar we’ll never walk into.
But Glee is pushing us to deal with Kurt on a real level, with the issues that gay teens like Kurt – like us! – have to deal with at some point in our lives. And the show is justified in taking its time.
After all, when the President, Secretary of State, the state of New Jersey and half of Hollywood’s celebrities decide bullying is a serious problem, shouldn’t TV’s most popular show, with TV’s most popular gay character, be allowed to do the same?
Network primetime rarely gives us gay characters with actual stories, even less often in one-hour story arcs across several episodes. If there really is a backlash brewing against Glee as it tries to push these boundaries, it’s sad and just a bit short-sighted.
End of article
This is me applauding this article. I also read through the three pages of comments yesterday, and there were some very passionate, thoughtful responses. I think the main thing I would want to say here is that I actually can understand the fans that are frustrated because their favorite character has not had a major storyline this season. The fan base that I think has the most reason to gripe is the Mercedes camp. She has still been featured prominently in song, especially in the "Grilled Cheesus" episode when she had two solos. But she has not had her own storyline this season, except her tots campaign two episodes ago. Mercedes is the only New Directions member besides Kurt who has never had a significant other. Okay, she and Puck sort of dated in season one, but I don't count that. He was using her for popularity.
Unfortunately we live in a very impatient society. We live our lives in sound bites and thirty second recaps. We get frustrated when we have to wait for something - a light to turn green, our cofee to be ready at Starbucks, a television show to come back from commercial. We don't want the whole story. We want just the headlines, and then we want to move on to something else. And if we don't like something, we want it altered or dismissed - immediately.
Bullying is an important, relevant, timely issue. Lots of people are talking about it and trying to do something about it. But its a tough cookie. There are no simple solutions, no quick fix. Its not fun to talk about and its not fun to watch.
Television episodes are filmed weeks to months in advance. If an audience grows tired of a particular storyline, not much can be done about that. The episodes are already completed; the story has to play out. I just wish people would have a little more patience. The show is an ensemble cast, and there are multiple storylines in each episode. I can't promise that a character like Tina or Santana will ever get as much attention as Rachel or Kurt. But they will have their moments to shine.
I do NOT believe that everyone who is sick of Kurt or tired of the bullying storyline is homophobic. However, I think homophobia IS a factor in the backlash. As the author asserts, the television audience has never been exposed to such a complex gay character in the forefront of a major television show. And he's a teenager to boot. What I view as a gift and a privilege, to watch this young man's journey influence the lives of so many, young and old, male and female, gay and straight, has the opposite effect on some. The character of Kurt makes some people uncomfortable, and other people irritable. Its a very very difficult situation. I don't want to see Ryan Murphy and crew cave to public pressure. But I also don't want the show to die because too many viewers get frustrated and stop watching. And just as importantly, I don't want to see the character of Kurt ruined in the process. I of course don't feel that the bullying storyline is making him unlikeable, but obviously some people do feel that way. Its an unfortunate consequence of our increasing reliance on social media for our information and news that if enough people write that Glee is jumping the shark, it could become a self-fulfilling prophecy. Ratings are lower than they were at the beginning of the season, but the show continues to win its time slot in the key 18 - 49 demographic.
"The reports of my death have been greatly exaggerated." Mark Twain
gleekette
Sunday, November 28, 2010
Analysis of "Furt"
Thanksgiving Holiday got in the way, and now I am even more behind in my analysis. Sigh.
So this will have to be more stream of consciousness writing than usual. Which is hard for me because its such an important episode. But here goes.
If I could only use two words to describe Glee, it would probably be these two: "brilliant" and "flawed." A Gleek I am, but even I can admit that the show isn't perfect. Even though I'm a proud "Kurtsie" (Chris Colfer's term for his dedicated fans), I agree with many people who found the episode uneven and rushed.
Let's mention the rough spots first. Sam and Quinn promising themselves to each other after only six weeks? And after everything Quinn went through in season one? Just seems way too fast. Yes, there were very sweet moments in their storyline this week, and the promise ring worked well with the wedding, but this plot seems rushed to me. And as someone else commented, I do wonder a bit about Sam's motives. He does seem to really care about Quinn, and he has acted honorably toward Kurt, but his desire to be the big man on campus makes me question his integrity just a bit.
Rough spot number two. Sue marrying herself. Just didn't get that. What was the point? I guess it was supposed to be humorous, but I didn't find it that funny.
I understand that Carol Burnett made an appearance as Sue's mother to show that Sue herself was bullied. I did get that. But I just didn't feel that she was enough of a bully. To me she was more of an absentee mom. Unfortunately I think her talent was a bit wasted in this episode.
And now for the good stuff, with a few more negative mentions. Burt and Carol got married! And for the most part the planning, the ceremony, and the reception were a joy to watch. Romy Rosemont and Mike O'Malley as Carole and Burt were awesome in this episode. The walk down the aisle was so much fun! For me, Artie and Brittany almost stole the show from Burt and Carole. I'm still on the fence about the Artie/Brittany romance, but every time the camera went to them in this episode they were doing something absolutely adorable.
The engagement and wedding did seem rushed to me. But I am so happy that Carole and Burt got married. I hope the show will continue to explore how this marriage will effect Kurt and Finn...not just their relationship as brothers, but also the fact that Kurt has a mother figure again and for the first time in his life, Finn has a father figure.
Some people complained that Carole and Burt's vows were directed too much at the boys and not enough at each other. While I think that is a valid complaint, and I also agree that both Carole and Burt should have talked more about Finn, I especially loved Burt talking about how he and Kurt really weren't living after Mrs. Hummel died.
Make no mistake, I was thrilled at how Kurt-centric this episode was. It absolutely worked for me. But I was surprised. And I can understand the criticism, especially people who feel that Finn got the short end of the stick. His mother barely mentioned him in her vows, and Burt didn't mention him at all. But Carole glowingly talked about Kurt.
The status of Burt and Finn's relationship has not been discussed since Burt threw Finn out of his house during the "Theatricality" episode in season one. We don't know where Finn has been living, and we weren't even sure that Carole and Burt were still together, although she was at the hospital when Burt had the heart attack. When they announced their engagement to the boys, Burt said he was looking for a house where they could each have their own room. Are we supposed to infer that they have been sharing a room, even after what went down in "Theatricality?" I don't think so. Most likely Carole didn't sell her house yet, and Finn has been living there.
When Finn danced with Kurt, that scene immediately became one of my all-time favorite Glee moments. I had the same posture and look as Mr. Schue as he sat at the reception, face resting against his hand, watching the scene with a mixture of pride, surprise, and delight. Furt signals the full circle that Finn and Kurt's relationship has taken since the beginning of the show, from relative strangers to a one-sided, painful crush, to "brothers from another mother." It was an unprecedented moment in television history, and it was wonderful. In the final episode of the pivotal three episode bullying storyline, Kurt gets a new brother, a new mother, and love and acceptance from his glee club family.
The tears that I shed as I watched the reception scene were more for Chris Colfer than for the fictional Kurt. Less than two years ago Chris was in high school, being bullied every day, dealing with, as one article describes, "the unfortunate trifecta of being overweight, gay, and wearing braces." He described himself recently on the Ellen show as the "insignificant, sad, lonely kid I was in high school." And now here he is, on a hit television show, a GQ man of the year, an Emmy-nominated actor, earning praise from critics, adoration from fans, and an entire cast of new friends. Chris Colfer's life is the epitome of an "It Gets Better" video for the Trevor Project. The look on Kurt's face as Finn started the song, then held out his hand to dance with him; I have to think that Chris was feeling those same emotions.
I have mad respect for Cory Monteith. Cory is twenty-eight years old, and he actually dropped out of school in the ninth grade. So he has next to no experience with what high school life is really like, he hasn't been a teenager for nearly a decade, yet he is able to communicate the conflicting emotions of a guy in that situation so well. As I've mentioned before, Glee is groundbreaking for its exploration of the angst boys face in high school - peer pressure to be athletic, to have a good body, to have a hot girlfriend, to be mean to certain groups, to not be gay.
Kurt and Karofsky's scene at the lockers was positively chilling. That mix of hatred and desire that swept across Karofsky's face - wow. Very powerful. I was so happy to see both Will and Sue finally step up. The storyline adds another layer to Sue's wonderfully complicated personality, that she would make a decision to give up the power of being president - principal - in order to help protect a student. And not just any student, but one who quit her beloved Cheerios. Although Kurt did help her with the "Vogue" video. I'm glad Kurt spoke up about her calling him "lady," and although I'm not sure "porcelain" is much better, it is cute and kind of fits him, if you don't think of a toilet when you hear the name.
The meeting with Burt and Karofsky's father Paul was not the epic confrontation I was expecting. But there might be fireworks to come. Regardless, I absolutely love Burt, and Mike O'Malley. His dance down the aisle was the cutest thing.
I've read two kinds of criticism regarding Kurt in this episdode. Number one, someone was confused about how strong he was when he confronted Karofsky in "Never Been Kissed." Why he was so tough two episodes ago, and now he's running away to Dalton Academy. Well, that's pretty simple I think. He wasn't being threatened with murder two episodes ago. Karofsky's abuse has steadily increased during this season. He is appearing more and more unstable. I have been teased and I have been intimidated in my life, and believe me, you know the difference. You can feel intimidation in every part of your being. Intimidation is a very frightening thing, because it can be subtle and difficult for others to see. But when its happening to you, it can overshadow everything else in your life.
The second criticism was someone not understanding why Kurt would leave McKinley when he finally had a support system in place. His friends in glee club, Will, Sue, his dad and new stepmom, even his new stepbrother were all promising to help. But again, if you have never been intimidated, its hard to know what that feels like. You don't feel safe, period. That look between Karofsky and Kurt in Sue's office when Karofsky was expelled spoke volumes. I believe Kurt fears that Karofsky will be more unhinged than ever when he returns to McKinley. He will blame all of his problems on Kurt. And support systems aren't failproof.
Although I think it will be very interesting to see what happens to Kurt at Dalton, I am very sad to think of him competing against New Directions at Sectionals. I would assume that New Directions has to win in order to advance to Regionals, so they will always be able to say that they won without Kurt. Once again, we saw the limits of Rachel's burgeoning altruism. She was the first glee club member to suggest confronting Karofsky, but she was also the first (and only) person to be more concerned about Kurt joining the Warblers rather than why he was leaving, or the fact that he was leaving at all.
My favorite line of the episode:
"Finn, I've been planning weddings since I was two. My power rangers got married and divorced in so many combinations, they were like Fleetwood Mac." Kurt
And one more thing: Loved the "Lost" references. :) Daniel Roebuck, who played Paul Karofsky in the episode, was on "Lost." Burt mentioned the show when he talked about honeymooning in Hawaii, and Kurt was wearing an airplane pin when he and Burt confronted the Karofskys in Sue's office.
gleekette
So this will have to be more stream of consciousness writing than usual. Which is hard for me because its such an important episode. But here goes.
If I could only use two words to describe Glee, it would probably be these two: "brilliant" and "flawed." A Gleek I am, but even I can admit that the show isn't perfect. Even though I'm a proud "Kurtsie" (Chris Colfer's term for his dedicated fans), I agree with many people who found the episode uneven and rushed.
Let's mention the rough spots first. Sam and Quinn promising themselves to each other after only six weeks? And after everything Quinn went through in season one? Just seems way too fast. Yes, there were very sweet moments in their storyline this week, and the promise ring worked well with the wedding, but this plot seems rushed to me. And as someone else commented, I do wonder a bit about Sam's motives. He does seem to really care about Quinn, and he has acted honorably toward Kurt, but his desire to be the big man on campus makes me question his integrity just a bit.
Rough spot number two. Sue marrying herself. Just didn't get that. What was the point? I guess it was supposed to be humorous, but I didn't find it that funny.
I understand that Carol Burnett made an appearance as Sue's mother to show that Sue herself was bullied. I did get that. But I just didn't feel that she was enough of a bully. To me she was more of an absentee mom. Unfortunately I think her talent was a bit wasted in this episode.
And now for the good stuff, with a few more negative mentions. Burt and Carol got married! And for the most part the planning, the ceremony, and the reception were a joy to watch. Romy Rosemont and Mike O'Malley as Carole and Burt were awesome in this episode. The walk down the aisle was so much fun! For me, Artie and Brittany almost stole the show from Burt and Carole. I'm still on the fence about the Artie/Brittany romance, but every time the camera went to them in this episode they were doing something absolutely adorable.
The engagement and wedding did seem rushed to me. But I am so happy that Carole and Burt got married. I hope the show will continue to explore how this marriage will effect Kurt and Finn...not just their relationship as brothers, but also the fact that Kurt has a mother figure again and for the first time in his life, Finn has a father figure.
Some people complained that Carole and Burt's vows were directed too much at the boys and not enough at each other. While I think that is a valid complaint, and I also agree that both Carole and Burt should have talked more about Finn, I especially loved Burt talking about how he and Kurt really weren't living after Mrs. Hummel died.
Make no mistake, I was thrilled at how Kurt-centric this episode was. It absolutely worked for me. But I was surprised. And I can understand the criticism, especially people who feel that Finn got the short end of the stick. His mother barely mentioned him in her vows, and Burt didn't mention him at all. But Carole glowingly talked about Kurt.
The status of Burt and Finn's relationship has not been discussed since Burt threw Finn out of his house during the "Theatricality" episode in season one. We don't know where Finn has been living, and we weren't even sure that Carole and Burt were still together, although she was at the hospital when Burt had the heart attack. When they announced their engagement to the boys, Burt said he was looking for a house where they could each have their own room. Are we supposed to infer that they have been sharing a room, even after what went down in "Theatricality?" I don't think so. Most likely Carole didn't sell her house yet, and Finn has been living there.
When Finn danced with Kurt, that scene immediately became one of my all-time favorite Glee moments. I had the same posture and look as Mr. Schue as he sat at the reception, face resting against his hand, watching the scene with a mixture of pride, surprise, and delight. Furt signals the full circle that Finn and Kurt's relationship has taken since the beginning of the show, from relative strangers to a one-sided, painful crush, to "brothers from another mother." It was an unprecedented moment in television history, and it was wonderful. In the final episode of the pivotal three episode bullying storyline, Kurt gets a new brother, a new mother, and love and acceptance from his glee club family.
The tears that I shed as I watched the reception scene were more for Chris Colfer than for the fictional Kurt. Less than two years ago Chris was in high school, being bullied every day, dealing with, as one article describes, "the unfortunate trifecta of being overweight, gay, and wearing braces." He described himself recently on the Ellen show as the "insignificant, sad, lonely kid I was in high school." And now here he is, on a hit television show, a GQ man of the year, an Emmy-nominated actor, earning praise from critics, adoration from fans, and an entire cast of new friends. Chris Colfer's life is the epitome of an "It Gets Better" video for the Trevor Project. The look on Kurt's face as Finn started the song, then held out his hand to dance with him; I have to think that Chris was feeling those same emotions.
I have mad respect for Cory Monteith. Cory is twenty-eight years old, and he actually dropped out of school in the ninth grade. So he has next to no experience with what high school life is really like, he hasn't been a teenager for nearly a decade, yet he is able to communicate the conflicting emotions of a guy in that situation so well. As I've mentioned before, Glee is groundbreaking for its exploration of the angst boys face in high school - peer pressure to be athletic, to have a good body, to have a hot girlfriend, to be mean to certain groups, to not be gay.
Kurt and Karofsky's scene at the lockers was positively chilling. That mix of hatred and desire that swept across Karofsky's face - wow. Very powerful. I was so happy to see both Will and Sue finally step up. The storyline adds another layer to Sue's wonderfully complicated personality, that she would make a decision to give up the power of being president - principal - in order to help protect a student. And not just any student, but one who quit her beloved Cheerios. Although Kurt did help her with the "Vogue" video. I'm glad Kurt spoke up about her calling him "lady," and although I'm not sure "porcelain" is much better, it is cute and kind of fits him, if you don't think of a toilet when you hear the name.
The meeting with Burt and Karofsky's father Paul was not the epic confrontation I was expecting. But there might be fireworks to come. Regardless, I absolutely love Burt, and Mike O'Malley. His dance down the aisle was the cutest thing.
I've read two kinds of criticism regarding Kurt in this episdode. Number one, someone was confused about how strong he was when he confronted Karofsky in "Never Been Kissed." Why he was so tough two episodes ago, and now he's running away to Dalton Academy. Well, that's pretty simple I think. He wasn't being threatened with murder two episodes ago. Karofsky's abuse has steadily increased during this season. He is appearing more and more unstable. I have been teased and I have been intimidated in my life, and believe me, you know the difference. You can feel intimidation in every part of your being. Intimidation is a very frightening thing, because it can be subtle and difficult for others to see. But when its happening to you, it can overshadow everything else in your life.
The second criticism was someone not understanding why Kurt would leave McKinley when he finally had a support system in place. His friends in glee club, Will, Sue, his dad and new stepmom, even his new stepbrother were all promising to help. But again, if you have never been intimidated, its hard to know what that feels like. You don't feel safe, period. That look between Karofsky and Kurt in Sue's office when Karofsky was expelled spoke volumes. I believe Kurt fears that Karofsky will be more unhinged than ever when he returns to McKinley. He will blame all of his problems on Kurt. And support systems aren't failproof.
Although I think it will be very interesting to see what happens to Kurt at Dalton, I am very sad to think of him competing against New Directions at Sectionals. I would assume that New Directions has to win in order to advance to Regionals, so they will always be able to say that they won without Kurt. Once again, we saw the limits of Rachel's burgeoning altruism. She was the first glee club member to suggest confronting Karofsky, but she was also the first (and only) person to be more concerned about Kurt joining the Warblers rather than why he was leaving, or the fact that he was leaving at all.
My favorite line of the episode:
"Finn, I've been planning weddings since I was two. My power rangers got married and divorced in so many combinations, they were like Fleetwood Mac." Kurt
And one more thing: Loved the "Lost" references. :) Daniel Roebuck, who played Paul Karofsky in the episode, was on "Lost." Burt mentioned the show when he talked about honeymooning in Hawaii, and Kurt was wearing an airplane pin when he and Burt confronted the Karofskys in Sue's office.
gleekette
Tuesday, November 23, 2010
Max Adler Radar Online Interview
http://www.radaronline.com/exclusives/2010/11/exclusive-interview-glees-max-adler-kiss-shocked-fans
Exclusive Interview: Glee's Max Adler - The Kiss That Still Has Lips Flapping
Talk about a game changer. In one instant, Glee's Max Adler went from a stereotypical high school thug to a deeply complex character, and all it took was a single kiss.
As fans of the hit Fox TV show know, in the November 9th episode of Glee, "Never Been Kissed", Max's character, homophobic jock Dave Karofsky, shocked fans when he kissed Kurt, played by Chris Colfer.
In that one moment, Max broke out from the background of Glee - with a vengeance. In real life, Max couldn't be more different than Karofsky, and this week, RadarOnline.com had the opportunity to chat with this extremely talented and affable actor.
Radar: First, WOW! As a huge Glee fan, I was completely stunned when your character kissed Kurt. Did you know from the very beginning of Glee that this would be the eventual path your character would be taking, or did it come as a surprise to you when you read the script for that episode? What did you think?
Max: "It came as a total surprise. When I got cast originally, all I knew was that it was for a one episode gig, with two lines, throwing a slushy at Finn. So, the fact that they have chosen to expand my character to have so much depth and so many layers is just an honor and so incredible, but to answer your question, (as for my knowledge at least) this was not planned from the very very beginning. The only thing I was told was at the 2nd season premiere, (Glee's creator) Ryan Murphy came up to me and excitedly said 'we just wrote some really good stuff for you for episode 6'. I had no idea what that meant, until I read it! And I was surprised, yes, but I thought it was so awesome that they would allow this character to go there. And it is a true blessing and honor to be able to play such an important role at this time in the world with all the bullying and gay rights activism happening."
Radar: When you kissed Kurt, I felt that in an instant, I completely changed my opinion of you, and your character changed from being somewhat one dimensional to complex, and I actually felt sorry for you. How did people react to your character before the game-changing kiss, and how do they react now?
Max: "People reacted in the same exact way you did. They told me they saw me as a one dimensional dude, with not much depth, who was almost, to them, seen as a glorified extra who's scenes would be predictable and he would be bullying just to bully. Of course, I had viewed this differently in my own head, haha, but I can see the audience's point from their perspective. But now, again, they are reacting the same as you. They feel sympathetic towards Karofsky, and see he has a heart and he is just a scared, fearful, confused guy who isnt really quite sure how to deal with his emotions and where to even start."
Radar: In last week's episode, you winked at Kurt, and then threatened to kill him - which was incredibly disturbing to watch. What was your feeling about that line?
Max: "I thought it was very powerful. Chilling, terrifying, horrifying, yet, at the same time, heartbreaking. Again, thrilled that the writers went there. Because there are kids who have messaged me since that episode saying they used to hear that line spoken to them day in and day out at school, and how they wished they didnt have to wake up in the morning and go to school and hear it again, and they were so afraid to go from class to class that they changed their routes every day, it's very real. So, to get to play that role and show the audience what is really going on out there and not watering it down and to show people how students (both the victim and the tormentor) are dealing with it, is an honor."
Radar: You taped a powerful PSA for the Trevor Project, in which you said that you talk to kids, and you've been struck by how many young people say they think they deserved to be bullied. Tell us about talking to these kids and what they tell you? Is there one particular story or comment from a young person that has stuck with you.
Max: "Yes, people from all around the world, in many many different countries, either Facebook me, Twitter me, or will send letters through my representatives, explaining to me their whole life story and back story, because they are connecting with Karofsky, and it truly is touching. Not one in particular sticks, they all stick. They are all so different, yet the same. They all have different reasons they were afraid (parents disapproval, religion, getting teased on their sports team, getting harassed by their older siblings who they looked up to etc) and then I hear stories of how people's lives reflect the locker room scene to a T, where a girl broke another girl's nose after punching her when she was teased, but then ended up dating her. Or another where this man's parents had cut him off from the family, but that after watching this episode with them they all had a good cry and everyone realized how confusing and tormenting it could be to not know yourself, let alone not having support from your family and friends. Very moving stuff, which inspires me to keep going with this role."
Radar: Most people can relate to the feeling of not wanting to be different - or perceived as being different - in high school. What were you like in school? Were you a theater kid or jock? Any experiences with being bullied - or bullying?
Max: "In high school, I was very active, and fairly popular. Senior Class VP, involved with the jazz choir, show choir, drama club, National Honor Society, charities, etc...But, in elementary school, I moved to a couple different ones within a short time, and I was picked on for being the new kid because everyone had known each other and developed cliques and relationships and inside jokes, and they reminded me I was the new kid every single day, and it definitely sucked. Luckily, I had a very open relationship with my parents and they would tell me that I did nothing wrong and I do not deserve this and these other kids are just insecure with themselves. And it stuck with me. And helped me to get through it, hence, my It Gets Better video, to hopefully relay this same message to others out there, who arent as fortunate with the parental advice I was lucky enough to receive."
Radar: Can you give us any hint about where your character is headed? Will he come out? Any chance he could become Kurt's protector - or perhaps, romantic interest?
Max: "I have no clue. I'm dying to know myself. At this point, I could see it going in so many directions, which is really the fun of playing such a character. He is so unpredictable that he could really go anywhere at this point. The writers haven't led me astray thus far, and I can't wait to see what they come up with for Karofsky next."
Radar: Wouldn't it be great if your character comes out and joins the Glee club? Do you sing? Would you like to perform on Glee, and if so, what song?
Max: "It is certainly possible, as is anything else. I do sing, and dance in real life. I was very involved with my school and communty theaters and show choirs. If the writers write that in, I will gladly go there. If not, so be it! If I did have to sing, I love the crooners. Sinatra, Buble, Dean martin etc. Those styles of songs I could have a lot of fun with."
Radar: The list of guest stars on the show has been amazing - Britney Spears - Kristen Chenoweth, John Stamos - Gwyneth Paltow - Carol Burnett. Although your character really hasn't had interaction with them on screen, did you have a chance to meet any of them? Who would you love to see guest-star on the show - maybe someone playing your parents?
Max: "The only person on this list I actually met on set was John Stamos, and he is awesome. Super nice,open, talented, friendly, guy. And you know, I grew up watching him as Uncle Jesse on Full House, so to be sitting next to him in the makeup trailer chatting it up, was a very surreal moment. My dad has already been cast and will appear in the November 23rd episode. He is Daniel Roebuck. Excellent actor, and a true gentlemen. As far as who I'd like to see guest star, I think a Justin Timberlake appearance could be fun. Respect his work so much, and the fact that he can act, sing, and dance well would be a pretty easy fit."
Radar: Can you tell us a little bit about your background: where you are from, your prior credits and how you joined the cast of Glee?
Max: "I'm from Scottsdale, AZ. Went to Horizon High School, moved to LA right after graduating to pursue acting. After about a year or so of just working double shifts to pay the rent, and figure out how this industry works, I started to chug away at making my dreams a reality. I got several guest starring roles on tv shows such as Cold Case, Ghost Whisperer, What About Brian, The Defenders, etc. I also did a couple indy films, as well as many commercials. When I heard about Glee, my heart started racing. Back in AZ, I used to host Nip/Tuck parties at my house. All my friends would come over and crowd around the tv and watch weekly. I just was obsessed with the show and thought if I could ever meet Ryan Murphy and just tell him what a genius he is, I could die happy. So, when I heard he is doing a show on FOX about school choir kids, I freaked. To land that role of Dave Karofsky even for just one episode a year ago got me all hyped up, and to experience now what it has turned into, to go to Paramount and have the privilege to say these words the amazing writers have given me, while at the same time touching people's lives, has just really been a dream come true and an honor and I still can't believe it happened."
Interview conducted by Neil Woulfe/Glee fan/News Director for RadarOnline.com
End of article
Haven't had time to read this, but wanted to post it. Gotta go...GLEE IS ON!! :)
gleekette
Exclusive Interview: Glee's Max Adler - The Kiss That Still Has Lips Flapping
Talk about a game changer. In one instant, Glee's Max Adler went from a stereotypical high school thug to a deeply complex character, and all it took was a single kiss.
As fans of the hit Fox TV show know, in the November 9th episode of Glee, "Never Been Kissed", Max's character, homophobic jock Dave Karofsky, shocked fans when he kissed Kurt, played by Chris Colfer.
In that one moment, Max broke out from the background of Glee - with a vengeance. In real life, Max couldn't be more different than Karofsky, and this week, RadarOnline.com had the opportunity to chat with this extremely talented and affable actor.
Radar: First, WOW! As a huge Glee fan, I was completely stunned when your character kissed Kurt. Did you know from the very beginning of Glee that this would be the eventual path your character would be taking, or did it come as a surprise to you when you read the script for that episode? What did you think?
Max: "It came as a total surprise. When I got cast originally, all I knew was that it was for a one episode gig, with two lines, throwing a slushy at Finn. So, the fact that they have chosen to expand my character to have so much depth and so many layers is just an honor and so incredible, but to answer your question, (as for my knowledge at least) this was not planned from the very very beginning. The only thing I was told was at the 2nd season premiere, (Glee's creator) Ryan Murphy came up to me and excitedly said 'we just wrote some really good stuff for you for episode 6'. I had no idea what that meant, until I read it! And I was surprised, yes, but I thought it was so awesome that they would allow this character to go there. And it is a true blessing and honor to be able to play such an important role at this time in the world with all the bullying and gay rights activism happening."
Radar: When you kissed Kurt, I felt that in an instant, I completely changed my opinion of you, and your character changed from being somewhat one dimensional to complex, and I actually felt sorry for you. How did people react to your character before the game-changing kiss, and how do they react now?
Max: "People reacted in the same exact way you did. They told me they saw me as a one dimensional dude, with not much depth, who was almost, to them, seen as a glorified extra who's scenes would be predictable and he would be bullying just to bully. Of course, I had viewed this differently in my own head, haha, but I can see the audience's point from their perspective. But now, again, they are reacting the same as you. They feel sympathetic towards Karofsky, and see he has a heart and he is just a scared, fearful, confused guy who isnt really quite sure how to deal with his emotions and where to even start."
Radar: In last week's episode, you winked at Kurt, and then threatened to kill him - which was incredibly disturbing to watch. What was your feeling about that line?
Max: "I thought it was very powerful. Chilling, terrifying, horrifying, yet, at the same time, heartbreaking. Again, thrilled that the writers went there. Because there are kids who have messaged me since that episode saying they used to hear that line spoken to them day in and day out at school, and how they wished they didnt have to wake up in the morning and go to school and hear it again, and they were so afraid to go from class to class that they changed their routes every day, it's very real. So, to get to play that role and show the audience what is really going on out there and not watering it down and to show people how students (both the victim and the tormentor) are dealing with it, is an honor."
Radar: You taped a powerful PSA for the Trevor Project, in which you said that you talk to kids, and you've been struck by how many young people say they think they deserved to be bullied. Tell us about talking to these kids and what they tell you? Is there one particular story or comment from a young person that has stuck with you.
Max: "Yes, people from all around the world, in many many different countries, either Facebook me, Twitter me, or will send letters through my representatives, explaining to me their whole life story and back story, because they are connecting with Karofsky, and it truly is touching. Not one in particular sticks, they all stick. They are all so different, yet the same. They all have different reasons they were afraid (parents disapproval, religion, getting teased on their sports team, getting harassed by their older siblings who they looked up to etc) and then I hear stories of how people's lives reflect the locker room scene to a T, where a girl broke another girl's nose after punching her when she was teased, but then ended up dating her. Or another where this man's parents had cut him off from the family, but that after watching this episode with them they all had a good cry and everyone realized how confusing and tormenting it could be to not know yourself, let alone not having support from your family and friends. Very moving stuff, which inspires me to keep going with this role."
Radar: Most people can relate to the feeling of not wanting to be different - or perceived as being different - in high school. What were you like in school? Were you a theater kid or jock? Any experiences with being bullied - or bullying?
Max: "In high school, I was very active, and fairly popular. Senior Class VP, involved with the jazz choir, show choir, drama club, National Honor Society, charities, etc...But, in elementary school, I moved to a couple different ones within a short time, and I was picked on for being the new kid because everyone had known each other and developed cliques and relationships and inside jokes, and they reminded me I was the new kid every single day, and it definitely sucked. Luckily, I had a very open relationship with my parents and they would tell me that I did nothing wrong and I do not deserve this and these other kids are just insecure with themselves. And it stuck with me. And helped me to get through it, hence, my It Gets Better video, to hopefully relay this same message to others out there, who arent as fortunate with the parental advice I was lucky enough to receive."
Radar: Can you give us any hint about where your character is headed? Will he come out? Any chance he could become Kurt's protector - or perhaps, romantic interest?
Max: "I have no clue. I'm dying to know myself. At this point, I could see it going in so many directions, which is really the fun of playing such a character. He is so unpredictable that he could really go anywhere at this point. The writers haven't led me astray thus far, and I can't wait to see what they come up with for Karofsky next."
Radar: Wouldn't it be great if your character comes out and joins the Glee club? Do you sing? Would you like to perform on Glee, and if so, what song?
Max: "It is certainly possible, as is anything else. I do sing, and dance in real life. I was very involved with my school and communty theaters and show choirs. If the writers write that in, I will gladly go there. If not, so be it! If I did have to sing, I love the crooners. Sinatra, Buble, Dean martin etc. Those styles of songs I could have a lot of fun with."
Radar: The list of guest stars on the show has been amazing - Britney Spears - Kristen Chenoweth, John Stamos - Gwyneth Paltow - Carol Burnett. Although your character really hasn't had interaction with them on screen, did you have a chance to meet any of them? Who would you love to see guest-star on the show - maybe someone playing your parents?
Max: "The only person on this list I actually met on set was John Stamos, and he is awesome. Super nice,open, talented, friendly, guy. And you know, I grew up watching him as Uncle Jesse on Full House, so to be sitting next to him in the makeup trailer chatting it up, was a very surreal moment. My dad has already been cast and will appear in the November 23rd episode. He is Daniel Roebuck. Excellent actor, and a true gentlemen. As far as who I'd like to see guest star, I think a Justin Timberlake appearance could be fun. Respect his work so much, and the fact that he can act, sing, and dance well would be a pretty easy fit."
Radar: Can you tell us a little bit about your background: where you are from, your prior credits and how you joined the cast of Glee?
Max: "I'm from Scottsdale, AZ. Went to Horizon High School, moved to LA right after graduating to pursue acting. After about a year or so of just working double shifts to pay the rent, and figure out how this industry works, I started to chug away at making my dreams a reality. I got several guest starring roles on tv shows such as Cold Case, Ghost Whisperer, What About Brian, The Defenders, etc. I also did a couple indy films, as well as many commercials. When I heard about Glee, my heart started racing. Back in AZ, I used to host Nip/Tuck parties at my house. All my friends would come over and crowd around the tv and watch weekly. I just was obsessed with the show and thought if I could ever meet Ryan Murphy and just tell him what a genius he is, I could die happy. So, when I heard he is doing a show on FOX about school choir kids, I freaked. To land that role of Dave Karofsky even for just one episode a year ago got me all hyped up, and to experience now what it has turned into, to go to Paramount and have the privilege to say these words the amazing writers have given me, while at the same time touching people's lives, has just really been a dream come true and an honor and I still can't believe it happened."
Interview conducted by Neil Woulfe/Glee fan/News Director for RadarOnline.com
End of article
Haven't had time to read this, but wanted to post it. Gotta go...GLEE IS ON!! :)
gleekette
Monday, November 22, 2010
"The Substitute" Analysis
I'm getting behind. There's a new episode tomorrow night, and I still have analysis to do on the previous two episodes. So before I (FINALLY!) finish "Never Been Kissed," let me discuss "The Substitute," because I think the analysis will be easier and more concise.
"The Substitute"...
I LOVED IT!! GREAT episode!! The fun was back in Glee this week, although the bullying storyline wasn't on hiatus either.
I didn't have a strong opinion on Gwyneth Paltrow before this episode. I've seen a few of her movies, I like her, that's about it. Evidently some people really can't stand her, and I don't know why. I thought she was excellent on Glee. Her character was interesting and funny and I was quite impressed with her singing voice. She seemed to have terrific chemistry with the entire cast, and they have all been praising her for days. I didn't feel that she took time away from the other characters; we were still treated to healthy doses of Mr. Schue, Sue, Kurt, Rachel, Mercedes, and even Mike Chang.
The dialogue in this episode was SO hilarious! The writers outdid themselves! Where do they come up with this stuff? There were way too many funny lines to write down, but here were some of my favorites:
"I thought we were friends" Will
"That got boring" Sue
"But first I think I should get you guys a sitter" Will to the class of mini-me's
"I'm shaking - and its either from low blood sugar, or rage" Kurt
"You smell homeless, Brett...homeless" Kurt
"Hey gigantor (to Finn)...we're all gonna swap names, yo" Artie
"I'm Mike Chang" Brittany
"I'm banning potater (sic) tots" Sue
"Outstanding!" Becky
"You kids love me" Will
"Sue doesn't" Rachel
"Hoarders is great, but animal hoarders is better!" Sue and Holly
Sue calling Mercedes "Jacque"
"You know what this is?" Sue to Mercedes, holding up broccoli
"Toilet brush" Mercedes
"Rachel...you suck!" Holly
"In fact, right now I'm tempted to sell your scalp on the black market as a tiny, full length shearling coat, for only the most fashionable of premature babies" Sue to Will
"Oh my gosh, I open my mouth and a little purse falls out" Kurt (I almost choked on my hamburger bun on this one!) :)
"Oh, way to break the stereotype!" Kurt to Blaine
"You can rest assured that I and my attorney, Gloria Allred, will be pressing charges" Sue to Mercedes
"You a porn star or a drag queen?" Terri to Holly
"You irritate me, William. You make the underflaps of my breasts burn, like when I used to rub them with poison sumac" Sue
"He taught me how to tie my shoelaces" Sam, about Will
"Mr. Schue taught me the second half of the alphabet. I stopped after m and n...I felt they were too similar, and got frustrated" Brittany
"You know, William, one thing I learned in my time as president..." Sue
"...principal..." Will
"Shut your gash, Nancy..." Sue to Will
Now a word or two about the songs:
C-Lo's "Forget You"
I've never heard the original, so I can't make a comparison. I thought the performance was great fun to watch; everyone looked like they were having a blast. Now that I have the song on my ipod I am enjoying it even more.
"Make 'em Laugh" and "Nowadays"
I have seen a few Broadway shows, and I have really enjoyed them, but I am not a theatre geek. So while I can appreciate the great performances of Broadway shows, they are not my favorites on Glee, and I won't make a lot of comments about them. I'm happy for all the Rachel/Lea fans as she stepped back into the spotlight for "Nowadays." And I really enjoyed the dancing on "Make 'em Laugh." Harry and Matthew make a super team.
"Singing in the Rain/Umbrella" mash-up
I am listening to this multiple times a day on my ipod. I really enjoy both Matthew and Gwyneth's voices on this. Some people are tired of the mash-ups, but I think they're great. They expose kids to classic songs and get adults to listen to current hits. The dancing is wonderful, and unlike some people, I don't care that a high school wouldn't have the budget for that kind of special effect. Many of Glee's performances would fall out of the range of a high school budget.
What I didn't like about this was the inability to see anyone else's faces except Will and Holly. Obviously we see Artie in the beginning, and catch a glimpse or two of Mike and possibly Brittany, but that's pretty much it. And maybe that was the effect they were going for; maybe they wanted it to look like a group of Will and Holly clones. One commentor even speculated that since the choreography was so challenging in that number, the show might have used professional dancers to stand in for the cast, and that's why we couldn't see anyone else except Heather Morris and Harry Shum Jr, who are excellent dancers. I don't know if that's the case. I thought I caught a glimpse or two of Chris and Amber as well, but I'm not sure. I know there was a shot of Chris in one of the still photographs, but that doesn't mean he was in the performance.
I just really loved the outfit that the guys were wearing. That combination of shirt, vest, and hat was a very hot look for all the guys in Glee, and I wanted to be able to see all of them looking that sharp. :)
Now a word or two about the storylines:
I liked the Holly Holiday storyline, and I hope Gwyneth does make a return appearance on Glee. I do feel like maybe we should have seen the students fight a little bit harder to get Will back. Maybe this should have been a two part episode. I feel like it got wrapped up a little too quickly.
UGH, the return of Terri. My least favorite character on Glee. I have been SO much happier in season 2 without her. I do agree that Will treated her really badly, but I don't want them back together. Ever.
As I predicted, Mercedes was jealous of Kurt and Blaine spending time together. I hope the storyline is afforded more than one episode, but it might not. Some people felt that Kurt should have apologized to Mercedes, that he was too strong with her. He should have considered her feelings more. While I understand that sentiment, as a person who has been where Mercedes is more than once, I can now admit that sometimes the girl in straight girl - gay guy relationship needs a healthy dose of tough love. If Kurt had been too soft with her, she probably would have made everyone involved miserable. Hyperfocusing on the person you're interested in at the expense of close friendships is an unfortunate aspect that occurs in both straight and gay relationships. Usually, though not always, patterns eventually even out.
Some people were very upset that Glee portrayed Mercedes turning to food (the tots) as a way to deal with her jealousy and loneliness. What some see as a stereotypical portrayal I view as realistic. It would make sense, unfortunately, that Mercedes would focus on food to help her cope. But even more than seeing the tots as food, I saw them as a motivation factor, a cause that she could adopt. Appointing herself the leader of the "save the tots" campaign (Norma Rae homage included) made her feel important and needed. She was working toward a goal that meant something to her.
And going back to the tots as food for a minute, didn't we all get excited over at least one cafeteria food item in school? Sure, most of it was awful. But at most schools the tater tots do rock. At my junior high school the buttered rolls did too. I think you could buy just the roll for like a quarter or something. There were quite a few kids who stood in line just to buy a roll, myself included.
If you look closely, you can definitely see a change in Kurt in this episode. Usually Kurt sits in the back of the choir room and is one of the last of the students to join the song and dance routines. When he does make the effort, its often because Mr. Schue or someone else pulls him in. Otherwise, he's sitting and looking either superior, bored, exasperated, or a combination. Glee club should be the place where Kurt fits in the most, but he still often feels out of place and uncomfortable.
In this episode, however, Holly wagged her finger at him at the beginning of the song, and Kurt was up and dancing immediately. He danced around the piano, danced with Holly, danced by himself, he even danced with Santana! Whether Blaine is a friend or more than a friend at this point, having him in his life seems to be a good thing for Kurt.
gleekette
"The Substitute"...
I LOVED IT!! GREAT episode!! The fun was back in Glee this week, although the bullying storyline wasn't on hiatus either.
I didn't have a strong opinion on Gwyneth Paltrow before this episode. I've seen a few of her movies, I like her, that's about it. Evidently some people really can't stand her, and I don't know why. I thought she was excellent on Glee. Her character was interesting and funny and I was quite impressed with her singing voice. She seemed to have terrific chemistry with the entire cast, and they have all been praising her for days. I didn't feel that she took time away from the other characters; we were still treated to healthy doses of Mr. Schue, Sue, Kurt, Rachel, Mercedes, and even Mike Chang.
The dialogue in this episode was SO hilarious! The writers outdid themselves! Where do they come up with this stuff? There were way too many funny lines to write down, but here were some of my favorites:
"I thought we were friends" Will
"That got boring" Sue
"But first I think I should get you guys a sitter" Will to the class of mini-me's
"I'm shaking - and its either from low blood sugar, or rage" Kurt
"You smell homeless, Brett...homeless" Kurt
"Hey gigantor (to Finn)...we're all gonna swap names, yo" Artie
"I'm Mike Chang" Brittany
"I'm banning potater (sic) tots" Sue
"Outstanding!" Becky
"You kids love me" Will
"Sue doesn't" Rachel
"Hoarders is great, but animal hoarders is better!" Sue and Holly
Sue calling Mercedes "Jacque"
"You know what this is?" Sue to Mercedes, holding up broccoli
"Toilet brush" Mercedes
"Rachel...you suck!" Holly
"In fact, right now I'm tempted to sell your scalp on the black market as a tiny, full length shearling coat, for only the most fashionable of premature babies" Sue to Will
"Oh my gosh, I open my mouth and a little purse falls out" Kurt (I almost choked on my hamburger bun on this one!) :)
"Oh, way to break the stereotype!" Kurt to Blaine
"You can rest assured that I and my attorney, Gloria Allred, will be pressing charges" Sue to Mercedes
"You a porn star or a drag queen?" Terri to Holly
"You irritate me, William. You make the underflaps of my breasts burn, like when I used to rub them with poison sumac" Sue
"He taught me how to tie my shoelaces" Sam, about Will
"Mr. Schue taught me the second half of the alphabet. I stopped after m and n...I felt they were too similar, and got frustrated" Brittany
"You know, William, one thing I learned in my time as president..." Sue
"...principal..." Will
"Shut your gash, Nancy..." Sue to Will
Now a word or two about the songs:
C-Lo's "Forget You"
I've never heard the original, so I can't make a comparison. I thought the performance was great fun to watch; everyone looked like they were having a blast. Now that I have the song on my ipod I am enjoying it even more.
"Make 'em Laugh" and "Nowadays"
I have seen a few Broadway shows, and I have really enjoyed them, but I am not a theatre geek. So while I can appreciate the great performances of Broadway shows, they are not my favorites on Glee, and I won't make a lot of comments about them. I'm happy for all the Rachel/Lea fans as she stepped back into the spotlight for "Nowadays." And I really enjoyed the dancing on "Make 'em Laugh." Harry and Matthew make a super team.
"Singing in the Rain/Umbrella" mash-up
I am listening to this multiple times a day on my ipod. I really enjoy both Matthew and Gwyneth's voices on this. Some people are tired of the mash-ups, but I think they're great. They expose kids to classic songs and get adults to listen to current hits. The dancing is wonderful, and unlike some people, I don't care that a high school wouldn't have the budget for that kind of special effect. Many of Glee's performances would fall out of the range of a high school budget.
What I didn't like about this was the inability to see anyone else's faces except Will and Holly. Obviously we see Artie in the beginning, and catch a glimpse or two of Mike and possibly Brittany, but that's pretty much it. And maybe that was the effect they were going for; maybe they wanted it to look like a group of Will and Holly clones. One commentor even speculated that since the choreography was so challenging in that number, the show might have used professional dancers to stand in for the cast, and that's why we couldn't see anyone else except Heather Morris and Harry Shum Jr, who are excellent dancers. I don't know if that's the case. I thought I caught a glimpse or two of Chris and Amber as well, but I'm not sure. I know there was a shot of Chris in one of the still photographs, but that doesn't mean he was in the performance.
I just really loved the outfit that the guys were wearing. That combination of shirt, vest, and hat was a very hot look for all the guys in Glee, and I wanted to be able to see all of them looking that sharp. :)
Now a word or two about the storylines:
I liked the Holly Holiday storyline, and I hope Gwyneth does make a return appearance on Glee. I do feel like maybe we should have seen the students fight a little bit harder to get Will back. Maybe this should have been a two part episode. I feel like it got wrapped up a little too quickly.
UGH, the return of Terri. My least favorite character on Glee. I have been SO much happier in season 2 without her. I do agree that Will treated her really badly, but I don't want them back together. Ever.
As I predicted, Mercedes was jealous of Kurt and Blaine spending time together. I hope the storyline is afforded more than one episode, but it might not. Some people felt that Kurt should have apologized to Mercedes, that he was too strong with her. He should have considered her feelings more. While I understand that sentiment, as a person who has been where Mercedes is more than once, I can now admit that sometimes the girl in straight girl - gay guy relationship needs a healthy dose of tough love. If Kurt had been too soft with her, she probably would have made everyone involved miserable. Hyperfocusing on the person you're interested in at the expense of close friendships is an unfortunate aspect that occurs in both straight and gay relationships. Usually, though not always, patterns eventually even out.
Some people were very upset that Glee portrayed Mercedes turning to food (the tots) as a way to deal with her jealousy and loneliness. What some see as a stereotypical portrayal I view as realistic. It would make sense, unfortunately, that Mercedes would focus on food to help her cope. But even more than seeing the tots as food, I saw them as a motivation factor, a cause that she could adopt. Appointing herself the leader of the "save the tots" campaign (Norma Rae homage included) made her feel important and needed. She was working toward a goal that meant something to her.
And going back to the tots as food for a minute, didn't we all get excited over at least one cafeteria food item in school? Sure, most of it was awful. But at most schools the tater tots do rock. At my junior high school the buttered rolls did too. I think you could buy just the roll for like a quarter or something. There were quite a few kids who stood in line just to buy a roll, myself included.
If you look closely, you can definitely see a change in Kurt in this episode. Usually Kurt sits in the back of the choir room and is one of the last of the students to join the song and dance routines. When he does make the effort, its often because Mr. Schue or someone else pulls him in. Otherwise, he's sitting and looking either superior, bored, exasperated, or a combination. Glee club should be the place where Kurt fits in the most, but he still often feels out of place and uncomfortable.
In this episode, however, Holly wagged her finger at him at the beginning of the song, and Kurt was up and dancing immediately. He danced around the piano, danced with Holly, danced by himself, he even danced with Santana! Whether Blaine is a friend or more than a friend at this point, having him in his life seems to be a good thing for Kurt.
gleekette
Sunday, November 21, 2010
"Queer as Folk" Actor Cheers Glee
http://www.ontopmag.com/article.aspx?id=6910&MediaType=1&Category=22
Queer As Folk's Peter Paige Cheers Gay Glee's Teens Chris Colfer, Max Adler
Peter Paige, who played Emmett Honeycutt on Showtime's groundbreaking gay drama Queer as Folk, says the gay teens on Fox's musical-comedy Glee are doing “a lot of good.”
The bullying storyline playing out on the second season of the hit show involves Chris Colfer, who plays gay McKinley High student Kurt Hummel, and Max Adler's closeted football player Dave Karofsky.
Darren Criss plays Blaine, an out and proud student from a rival glee club named the Dalton Academy Warblers, a mentor to Hummel – and possible love interest.
After one shove too many, Hummel chases down Karofsky into the men's locker room.
“Do not push me homo,” Karofsky warns with a clenched fist.
“Hit me, because it's not going to change who I am,” Hummel responds. “You can't punch the gay out of me any more than I can punch the ignoramus out of you.”
Karofsky yells, “Get out of my face,” and then, to the shock of millions, reaches in and kisses Hummel.
“I think it does a lot of good,” Paige told GregInHollywood.com's Greg Hernandez. “I think any time we're getting into people's living rooms showing them complicated, interesting, relevant portrayals of gay people, we're doing something right. It matters.”
“Seeing Kurt stand up for himself, it really is a beautiful thing,” the 41-year-old actor added.
End of article
"Queer as Folk" was a great television show; I still miss it. It was like a gay "Thirtysomething" with WAY more sex. Definitely not a family show. But it had a lot of heart and wonderful character development like Glee. Emmett was my favorite. Sharon Gless was outstanding as the over-the-top proud mom of her gay son, Michael, played by straight actor Hal Sparks.
gleekette
Queer As Folk's Peter Paige Cheers Gay Glee's Teens Chris Colfer, Max Adler
Peter Paige, who played Emmett Honeycutt on Showtime's groundbreaking gay drama Queer as Folk, says the gay teens on Fox's musical-comedy Glee are doing “a lot of good.”
The bullying storyline playing out on the second season of the hit show involves Chris Colfer, who plays gay McKinley High student Kurt Hummel, and Max Adler's closeted football player Dave Karofsky.
Darren Criss plays Blaine, an out and proud student from a rival glee club named the Dalton Academy Warblers, a mentor to Hummel – and possible love interest.
After one shove too many, Hummel chases down Karofsky into the men's locker room.
“Do not push me homo,” Karofsky warns with a clenched fist.
“Hit me, because it's not going to change who I am,” Hummel responds. “You can't punch the gay out of me any more than I can punch the ignoramus out of you.”
Karofsky yells, “Get out of my face,” and then, to the shock of millions, reaches in and kisses Hummel.
“I think it does a lot of good,” Paige told GregInHollywood.com's Greg Hernandez. “I think any time we're getting into people's living rooms showing them complicated, interesting, relevant portrayals of gay people, we're doing something right. It matters.”
“Seeing Kurt stand up for himself, it really is a beautiful thing,” the 41-year-old actor added.
End of article
"Queer as Folk" was a great television show; I still miss it. It was like a gay "Thirtysomething" with WAY more sex. Definitely not a family show. But it had a lot of heart and wonderful character development like Glee. Emmett was my favorite. Sharon Gless was outstanding as the over-the-top proud mom of her gay son, Michael, played by straight actor Hal Sparks.
gleekette
Huffington Post blog
http://www.huffingtonpost.com/andy-ostroy/the-joy-of-glee_b_785908.html
The Joy of Glee
by Andy Ostroy
Glee, the hottest show on television, gives us a bunch of self-absorbed bratty high school kids, a deliciously snarky cheerleading coach, a doe-eyed Gene Kelly-wannabe Glee Club director, divorce, teen pregnancy, homosexuality, Jew jokes and Down Syndrome.
And if that wasn't enough juiciness for prime-time it also gives us something rare and unusual: music. Lots and lots of wonderfully arranged and choreographed song and dance renditions of both classic and contemporary hits. A prime example of this genius is Tuesday's absolutely brilliant fusion of "Singin' in the Rain" with Rihanna's "Umbrella," which featured a radiant Gwyneth Paltrow in a surprise television role. This hip-hop mash-up literally got me off the couch dancing like a fool with my 6-year-old daughter, who thinks the Emmy-winning Jane Lynch's Sue Sylvester is the coolest person since Elmo.
If Hollywood had a brain in its collective Jose Eber-coiffed head it would take note of the show's ginormous success and understand why 13-million viewers each week flock to their TVs like stray cats to a bowl of milk. It's the music. Americans are starving for musicals, the long-lost art form. While this genre continues to thrive on Broadway, it's all but disappeared in film and television.
Somewhere along the line the arrogant nincompoops who run Hollywood decided that they knew best what audiences wanted, and it wasn't musicals. You can also throw westerns, another dying genre, into this bucket of near-extinction The moguls decided that what viewers wanted was big budget comic book superhero movies and reality shows. 'Just give 'em more Spiderman and Housewives.' And so began the colossal dumbing-down of film and television programming.
Despite experiencing the tremendous success of simple pleasures like My Big Fat Greek Wedding, High School Musical and Deadwood, the industry just falls right back into its pattern of cookie-cutter offerings. It sees the success of these projects as an anomaly, not a trend-setting barometer. It's as if they're saying to us, "It's just a fluke that you like this stuff. We know that what you really want is more Batman and Survivor."
And then there's Glee. Huge kudos to its creators for being truly creative and innovative. For giving people across all generations spectacular, intelligent original entertainment. The program delivers on every conceivable level. It makes you laugh, cry, think, get angry, sing out loud and, well, dance like a fool in your living room. So why isn't there more ground-breaking programming like this on television?
What Glee shows us is that viewers still hunger for quality. For originality. For something different. For shows that break the mold and succeed in turning old-fashioned into new-fashioned. I'm not saying it's easy, but that's why they're sitting on the studio lot and I'm sitting on my couch. They get paid way too much dough to give us so much brainless fare like the Kardashians.
Another distressing sign came this week as CBS announced the canceling of its long running show Medium, another terrific program with almost 7-million viewers. My money's on some cheaply produced reality show taking its place.
Thank God for cable...and Glee.
End of Blog
Nothing new in this blog; I just wanted to post it because the blogger is so positive about the show. A fellow Gleek for sure. :)
Although I do have to admit that I watch some reality tv as well. Not the Kardashians, but I watch Survivior and the Amazing Race and Dancing with the Stars. I don't consider those shows to be brainless tv. There can be some heartwarming moments on those shows. And with shows like the Amazing Race and Survivor I get to see parts of the world and learn about cultures that I will never have the opportunity to visit. So I don't think they're mindless.
gleekette
The Joy of Glee
by Andy Ostroy
Glee, the hottest show on television, gives us a bunch of self-absorbed bratty high school kids, a deliciously snarky cheerleading coach, a doe-eyed Gene Kelly-wannabe Glee Club director, divorce, teen pregnancy, homosexuality, Jew jokes and Down Syndrome.
And if that wasn't enough juiciness for prime-time it also gives us something rare and unusual: music. Lots and lots of wonderfully arranged and choreographed song and dance renditions of both classic and contemporary hits. A prime example of this genius is Tuesday's absolutely brilliant fusion of "Singin' in the Rain" with Rihanna's "Umbrella," which featured a radiant Gwyneth Paltrow in a surprise television role. This hip-hop mash-up literally got me off the couch dancing like a fool with my 6-year-old daughter, who thinks the Emmy-winning Jane Lynch's Sue Sylvester is the coolest person since Elmo.
If Hollywood had a brain in its collective Jose Eber-coiffed head it would take note of the show's ginormous success and understand why 13-million viewers each week flock to their TVs like stray cats to a bowl of milk. It's the music. Americans are starving for musicals, the long-lost art form. While this genre continues to thrive on Broadway, it's all but disappeared in film and television.
Somewhere along the line the arrogant nincompoops who run Hollywood decided that they knew best what audiences wanted, and it wasn't musicals. You can also throw westerns, another dying genre, into this bucket of near-extinction The moguls decided that what viewers wanted was big budget comic book superhero movies and reality shows. 'Just give 'em more Spiderman and Housewives.' And so began the colossal dumbing-down of film and television programming.
Despite experiencing the tremendous success of simple pleasures like My Big Fat Greek Wedding, High School Musical and Deadwood, the industry just falls right back into its pattern of cookie-cutter offerings. It sees the success of these projects as an anomaly, not a trend-setting barometer. It's as if they're saying to us, "It's just a fluke that you like this stuff. We know that what you really want is more Batman and Survivor."
And then there's Glee. Huge kudos to its creators for being truly creative and innovative. For giving people across all generations spectacular, intelligent original entertainment. The program delivers on every conceivable level. It makes you laugh, cry, think, get angry, sing out loud and, well, dance like a fool in your living room. So why isn't there more ground-breaking programming like this on television?
What Glee shows us is that viewers still hunger for quality. For originality. For something different. For shows that break the mold and succeed in turning old-fashioned into new-fashioned. I'm not saying it's easy, but that's why they're sitting on the studio lot and I'm sitting on my couch. They get paid way too much dough to give us so much brainless fare like the Kardashians.
Another distressing sign came this week as CBS announced the canceling of its long running show Medium, another terrific program with almost 7-million viewers. My money's on some cheaply produced reality show taking its place.
Thank God for cable...and Glee.
End of Blog
Nothing new in this blog; I just wanted to post it because the blogger is so positive about the show. A fellow Gleek for sure. :)
Although I do have to admit that I watch some reality tv as well. Not the Kardashians, but I watch Survivior and the Amazing Race and Dancing with the Stars. I don't consider those shows to be brainless tv. There can be some heartwarming moments on those shows. And with shows like the Amazing Race and Survivor I get to see parts of the world and learn about cultures that I will never have the opportunity to visit. So I don't think they're mindless.
gleekette
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